Sheets Daily is a daily updated site for those who wants to access popular free sheet music easily,
letting them download the sheet music for free for trial purposes.
It's completely free to download and try the listed sheet music, but you have to delete the files after 24 hours of trial.
Don't forget, if you like the piece of music you have just learned playing,
treat the artist with respect, and go buy the original sheet music.
Latest Sheet Music
Amy Winehouse
Amy Jade Winehouse (born 14 September 1983) is an English singer-songwriter, known for her eclectic mix of various musical genres including soul, jazz, rock & roll and R&B.
Winehouse's 2003 debut album Frank did well, both commercially and critically, in her native Britain. It was nominated for the Mercury Prize. Her 2006 follow-up album Back to Black led to six Grammy Award nominations and five wins, tying the record for the most wins by a female artist in a single night, and made Winehouse the first British singer to win five Grammys, including three of the "Big Four": Best New Artist, Record of the Year and Song of the Year. On February 14, 2007, she won a BRIT Award for Best British Female Artist; she had also been nominated for Best British Album. She has won the Ivor Novello Award three times, one in 2004 for Best Contemporary Song (musically and lyrically) for "Stronger Than Me", one in 2007 for Best Contemporary Song for "Rehab", and one in 2008 for Best Song Musically and Lyrically for "Love Is a Losing Game", among other prestigious distinctions.
Winehouse has received media attention apart from her singing. Her distinctive style, most notably her signature beehive hairstyle, has spawned imitators and been the muse for fashion designers, as Karl Lagerfeld. The singer's problems with drug and alcohol addiction, as well as self-destructive behaviour, have become regular tabloid news since 2007. She and her husband have been plagued by legal troubles that have led to the cancellation of several tour dates.
In June 2008 it was confirmed that Winehouse has developed early signs of emphysema. Winehouse's father reported in addition she has an irregular heartbeat and said these conditions were brought on by smoking cigarettes and crack cocaine.
Winehouse's 2003 debut album Frank did well, both commercially and critically, in her native Britain. It was nominated for the Mercury Prize. Her 2006 follow-up album Back to Black led to six Grammy Award nominations and five wins, tying the record for the most wins by a female artist in a single night, and made Winehouse the first British singer to win five Grammys, including three of the "Big Four": Best New Artist, Record of the Year and Song of the Year. On February 14, 2007, she won a BRIT Award for Best British Female Artist; she had also been nominated for Best British Album. She has won the Ivor Novello Award three times, one in 2004 for Best Contemporary Song (musically and lyrically) for "Stronger Than Me", one in 2007 for Best Contemporary Song for "Rehab", and one in 2008 for Best Song Musically and Lyrically for "Love Is a Losing Game", among other prestigious distinctions.
Winehouse has received media attention apart from her singing. Her distinctive style, most notably her signature beehive hairstyle, has spawned imitators and been the muse for fashion designers, as Karl Lagerfeld. The singer's problems with drug and alcohol addiction, as well as self-destructive behaviour, have become regular tabloid news since 2007. She and her husband have been plagued by legal troubles that have led to the cancellation of several tour dates.
In June 2008 it was confirmed that Winehouse has developed early signs of emphysema. Winehouse's father reported in addition she has an irregular heartbeat and said these conditions were brought on by smoking cigarettes and crack cocaine.
Francisco Tarrega
Francisco de Asís Tárrega y Eixea (21 November 1852 – 15 December 1909) was an influential Spanish composer and guitarist of the Romantic period.
Yiruma
Yiruma (born February 15 1978, Seoul, Korea) is a South Korean piano music composer. He is married to Son Hye-im.
Yiruma is well-known throughout the world, and his albums are sold all over Asia, as well as the United States and Europe. His most famous pieces are "Kiss the Rain", and also "River Flows in You". These pieces are widely mistaken for being associated with the movie Twilight. Although he formerly held dual citizenship as a citizen of the United Kingdom and South Korea, in July 2006 he gave up his British citizenship and entered the Republic of Korea Navy to begin his military service, which is compulsory for all male South Koreans. He has lived in Osaka, Japan for 5 years to promote album sales before giving up his dual citizenship.
Yiruma is well-known throughout the world, and his albums are sold all over Asia, as well as the United States and Europe. His most famous pieces are "Kiss the Rain", and also "River Flows in You". These pieces are widely mistaken for being associated with the movie Twilight. Although he formerly held dual citizenship as a citizen of the United Kingdom and South Korea, in July 2006 he gave up his British citizenship and entered the Republic of Korea Navy to begin his military service, which is compulsory for all male South Koreans. He has lived in Osaka, Japan for 5 years to promote album sales before giving up his dual citizenship.
Athur Laurent
Arthur Laurents (July 14, 1917 – May 5, 2011) was an American playwright, stage director and screenwriter.
After writing scripts for radio shows after college and then training films for the U.S. Army during World War II, Laurents turned to writing for Broadway, producing a body of work that includes West Side Story (1957), Gypsy (1959), and Hallelujah, Baby! (1967), and directing some of his own shows and other Broadway productions.
His early film scripts include Rope (1948) for Alfred Hitchcock, followed by Anastasia (1956), Bonjour Tristesse (1958), The Way We Were (1973), and The Turning Point (1977).
Contents
1 Early life
2 Theatrical career
3 Film career
4 Blacklist
5 Memoirs
6 Death
7 Work
7.1 Writing
7.2 Directing
7.3 Additional credits
8 Awards, nominations and honors
9 See also
10 References
11 Further reading
12 External links
Early life
Born Arthur Levine, Laurents was the son of middle-class Jewish parents, a lawyer and a schoolteacher who gave up her career when she married. He was born and raised in the Flatbush section of Brooklyn, a borough of New York City, New York, the elder of two children, and attended Erasmus Hall High School. His sister Edith suffered from chorea as a child.
His paternal grandparents were Orthodox Jews, and his mother's parents, although born Jewish, were atheists. His mother kept a kosher home for her husband's sake, but was lax about attending synagogue and observing the Jewish holidays. His Bar Mitzvah marked the end of Laurents's religious education and the beginning of his rejection of all fundamentalist religions, although he continued to identify himself as Jewish. However, late in life he admitted to having changed his last name from Levine to the less Jewish-sounding Laurents, "to get a job."
After graduating from Cornell University, Laurents took an evening class in radio writing at New York University. William N. Robson, his instructor, a CBS Radio director/producer, submitted his script Now Playing Tomorrow, a comedic fantasy about clairvoyance, to the network, and it was produced in the Columbia Workshop series on January 30, 1939, with Shirley Booth in the lead role. It was Laurents' first professional credit. The show's success led to him being hired to write scripts for various radio shows, among them Lux Radio Theater. Laurents' career was interrupted when he was drafted into the U.S. Army in the middle of World War II. Through a series of clerical errors, he never saw battle, but instead was assigned to the U.S. Army Pictorial Service located in a film studio in Astoria, Queens, where he wrote training films and met, among others, George Cukor and William Holden. He later was reassigned to write plays for Armed Service Force Presents, a radio show that dramatized the contributions of all branches of the armed forces.
Theatrical career
According to John Clum, "Laurents was always a mirror of his times. Through his best work, one sees a staged history of leftist, gender, and gay politics in the decades after World War II." After graduating from Cornell University in 1937, Laurents went to work as a writer for radio drama at CBS in New York. His military duties during World War II, which consisted of writing training films and radio scripts for Armed Service Force Presents, brought him into contact with some of the best film directors—distinguished director George Cukor directed his first script. Laurents's work in radio and film during World War II was an excellent apprenticeship for a budding playwright and screenwriter. He also had the good fortune to be based in New York City. His first stage play, Home of the Brave, was produced in 1945. The sale of the play to a film studio gave Laurents the entrée he needed to become a Hollywood screenwriter though he continued, with mixed success, to write plays. The most important of his early screenplays is his adaptation of Rope for Alfred Hitchcock.
Soon after being discharged from the Army, Laurents met ballerina Nora Kaye, and the two became involved in an on-again, off-again romantic relationship. While Kaye was on tour with Fancy Free, Laurents continued to write for the radio but was becoming discontented with the medium. At the urging of Martin Gabel, he spent nine consecutive nights writing a play In 1962, Laurents directed I Can Get It for You Wholesale, which helped to turn then-unknown Barbra Streisand into a star. His next project was the stage musical Anyone Can Whistle, which he directed and for which he wrote the book, but it proved to be an infamous flop. He later had success with the musicals Hallelujah, Baby! (written for Lena Horne but ultimately starring Leslie Uggams) and La Cage Aux Folles (1983), which he directed, however Nick & Nora was not successful.
In 2008, Laurents directed a Broadway revival of Gypsy starring Patti LuPone, and in 2009, he tackled a bilingual revival of West Side Story, with Spanish translations of some dialogue and lyrics by Lin-Manuel Miranda. While preparing West Side Story, he noted, "The musical theatre and cultural conventions of 1957 made it next to impossible for the characters to have authenticity." Following the production's March 19 opening at the Palace Theatre, Ben Brantley of The New York Times called the translations "an only partly successful experiment" and added, "Mr. Laurents has exchanged insolence for innocence and, as with most such bargains, there are dividends and losses." The national tour (2011-2012) was directed by David Saint, who was Laurents' assistant director on the Broadway production. The Spanish lyrics and dialog were reduced from about 18% of the total to about 10%.
Film career
Laurents' first Hollywood experience proved to be a frustrating disappointment. Director Anatole Litvak, unhappy with the script submitted by Frank Partos and Millen Brand for The Snake Pit (1948), hired Laurents to rewrite it. Partos and Brand later insisted the bulk of the shooting script was theirs, and produced carbon copies of many of the pages Laurents actually had written to bolster their claim. Having destroyed the original script and all his notes and rewritten pages after completing the project, Laurents had no way to prove most of the work was his, and the Writers Guild of America denied him screen credit. Brand later confessed he and Partos had copied scenes written by Laurents and apologized for his role in the deception. Four decades later, Laurents learned he was ineligible for WGA health benefits because he had failed to accumulate enough credits to qualify. He was short by one, the one he failed to get for The Snake Pit.
Upon hearing 20th Century Fox executives were pleased with Laurents' work on The Snake Pit, Alfred Hitchcock hired him for his next project, the film Rope starring James Stewart. Hitchcock wanted Laurents to Americanize the British play Rope (1929) by Patrick Hamilton for the screen. With his then-lover Farley Granger set to star, Laurents was happy to accept the assignment. His dilemma was how to make the audience aware of the fact the three main characters were homosexual without blatantly saying so. The Hays Office kept close tabs on his work, and the final script was so discreet that Laurents was unsure whether co-star James Stewart ever realized that his character was gay. In later years, Hitchcock asked him to script both Torn Curtain (1966) and Topaz (1969), However, Laurents, in both cases unenthused by the material, declined the offers.
Laurents also scripted Anastasia (1956) and Bonjour Tristesse (1958). The Way We Were (1973), in which he incorporated many of his own experiences, particularly those with the HUAC, reunited him with Barbra Streisand, and The Turning Point (1977), inspired in part by his love for Nora Kaye, was directed by her husband Herbert Ross. The Fox animated feature film Anastasia (1997) was based in part from his screenplay of the live-action 1956 film of the same title.
Blacklist
Because of a casual remark made by Russel Crouse, Laurents was called to Washington, D.C., to account for his political views. He explained himself to the House Un-American Activities Committee, and his appearance had no obvious impact on his career, which at the time was primarily in the theatre. When the McCarran Internal Security Act, which prohibited individuals suspected of engaging in subversive activities from obtaining a passport, was passed in 1950, Laurents and Granger immediately applied for and received passports and departed for Paris with Harold Clurman and his wife Stella Adler. Laurents and Granger remained abroad, traveling throughout Europe and northern Africa, for about 18 months.
Years earlier, Laurents and Jerome Robbins had developed Look Ma, I'm Dancin'! (1948), a stage musical about the world of ballet that ran for 188 performances on Broadway, and starred Nancy Walker and Harold Lang. (Although the musical was ultimately produced with a book by Jerome Lawrence and Robert E. Lee, as Laurents left the project.) Robbins approached Paramount Pictures about directing a screen version, and the studio agreed as long as Laurents was not part of the package.
It was not until then that Laurents learned he officially had been blacklisted, primarily because a review of Home of the Brave had been published in the Daily Worker. He decided to return to Paris, but the State Department refused to renew his passport. Laurents spent three months trying to clear his name, and after submitting a lengthy letter explaining his political beliefs in detail, it was determined they were so idiosyncratic he could not have been a member of any subversive groups. Within a week his passport was renewed, and the following day he sailed for Europe on the Ile de France. While on board, he received a cable from Metro-Goldwyn-Mayer offering him a screenwriting assignment. The blacklist had ended.
Memoirs
Laurents wrote Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood, published in 2000. In it, he discusses his lengthy career and his many gay affairs and long-term relationships, including those with Farley Granger and Tom Hatcher (August 24, 1929 - October 26, 2006). Hatcher was an aspiring actor whom Gore Vidal suggested Laurents seek out at the Beverly Hills men's clothing store Hatcher was managing at the time. The couple remained together for 52 years until Hatcher's death on October 26, 2006.
Laurents wrote Mainly on Directing: Gypsy, West Side Story and Other Musicals, published in 2009, in which he discussed musicals he directed and the work of other directors he admired.
His last memoir titled The Rest of the Story was published posthumously in September 2012.
Death
Laurents died at the age of 93 at his home in Manhattan on May 5, 2011 of pneumonia complications, as reported by The New York Times. Following a long tradition, Broadway theatre lights were dimmed at 8 p.m. on May 6, 2011, for one minute in his memory. His ashes were buried alongside those of Tom Hatcher in a memorial bench in Quogue, Long Island, New York.
Work
Writing
Musicals
West Side Story – 1957 – Tony Nomination for Best Musical
Gypsy – 1959 – Tony Nomination for Best Musical
Anyone Can Whistle – 1964
Do I Hear a Waltz? – 1965
Hallelujah, Baby! – 1967 – Tony Award for Best Musical
The Madwoman of Central Park West – 1979
Nick & Nora – 1991
Novel
The Turning Point – 1977; New American Library (New York City); OCLC 11014907
Plays
Home of the Brave – 1945
The Bird Cage – 1950
The Time of the Cuckoo – 1952
A Clearing in the Woods – 1957
Invitation to a March – 1960
Directing
Invitation to a March – 1960
I Can Get It for You Wholesale – 1962
Anyone Can Whistle – 1964
Gypsy – 1974 – Tony Nomination for Best Direction of a Musical
The Madwoman of Central Park West – 1979
La Cage aux Folles – 1983 – Tony Award for Best Direction of a Musical
Nick & Nora – 1991
Gypsy – 2008 – Tony Award nomination as Best Director of a Musical
West Side Story – 2009 Broadway Revival
Additional credits
Anna Lucasta (screenwriter)
A Clearing in the Woods (playwright)
Invitation to a March (playwright, director)
The Madwoman of Central Park West (playwright, director)
My Good Name (playwright)
Jolson Sings Again (playwright)
The Enclave (playwright, director)
Radical Mystique (playwright, director)
Big Potato (playwright)
Two Lives (playwright)
My Good Name (playwright)
Claudia Lazlo (playwright)
Attacks on the Heart (playwright)
2 Lives (playwright)
New Year's Eve (playwright)
Come Back, Come Back, Wherever You Are (playwright, director)
Caught (screenwriter)
Rope (screenwriter)
Awards, nominations and honors
A new award was established in 2010, The Laurents/Hatcher Foundation Award. This is awarded annually "for an un-produced, full-length play of social relevance by an emerging American playwright." The Laurents/Hatcher Foundation will give $50,000 to the writer with a grant of $100,000 towards production costs at a nonprofit theatre. The first award will be given in 2011.
Theatre
1958 Tony Award for Best Musical (West Side Story, nominee)
1960 Tony Award for Best Musical (Gypsy, nominee)
1968 Tony Award for Best Musical (Hallelujah, Baby!, winner)
1975 Drama Desk Award for Outstanding Director of a Musical (Gypsy, winner)
1975 Tony Award for Best Direction of a Musical (Gypsy, nominee)
1984 Tony Award for Best Direction of a Musical (La Cage aux Folles, winner)
2008 Tony Award for Best Direction of a Musical (Gypsy, nominee)
Film
Academy Award for Best Picture (The Turning Point, nominee)
Academy Award for Best Original Screenplay (The Turning Point, nominee)
Edgar Allan Poe Award for Best Motion Picture Screenplay (Rope, nominee)
Golden Globe Award for Best Screenplay (The Turning Point, nominee)
Writers Guild of America Award for Best Original Screenplay (The Way We Were, nominee; The Turning Point, winner)
National Board of Review Award for Career Achievement (winner)
See also
Biography portal
Film portal
Musical Theatre portal
icon Theatre portal
icon Writing portal
List of Jewish American playwrights
List of novelists from the United States
List of pneumonia victims
List of people from Brooklyn, New York
List of playwrights from the United States
List of theatre directors
References
"Legendary Writer & Director Arthur Laurents Dies at 93". Broadway World. Retrieved May 6, 2011.
John M. Clum. The Works of Arthur Laurents: Politics, Love, and Betrayal. Amherst, NY: Cambria Press, 2014.
"Obituaries: Arthur Laurents". The Daily Telegraph. May 6, 2011.
"When You’re a Shark You’re a Shark All the Way". New York.
Hawtree, Christopher (May 6, 2011). "Arthur Laurents obituary: Playwright and screenwriter who wrote the book for West Side Story". The Guardian. Retrieved 6 August 2012.
Hutchinson, Bill (May 6, 2011). "Playwright Behind 'West Side Story' and 'Gypsy,' Arthur Laurents, Dies at Age 93". Daily News.
Arnold, Laurence (May 5, 2011). "Arthur Laurents, Writer of 'West Side Story,' 'Gypsy' Scripts, Dies at 93". Bloomberg News.
Laurents, Arthur. "Beginnings" Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood, Hal Leonard Corporation, 2001, ISBN 1-55783-467-9, pp. 10–11, 34–35.
Laurents, Arthur. Original Story By. New York: Alfred A. Knopf (2000). ISBN 0-375-40055-9, pp. 6–7.
Laurents, p. 133.
Laurents, pp. 12–13.
Laurents, pp. 22–28.
Clum, John, "The Works of Arthur Laurents: Politics, Love, and Betrayal", November 2014, Cambria Press, ISBN 1604978848
Clum, John, "The Works of Arthur Laurents: Politics, Love, and Betrayal"
Laurents, p. 93.
Jones, Kenneth (July 16, 2008). "'West Side Story', This Time With Bilingual Approach, Will Return to Broadway in February 2009". Playbill.
Brantley, Ben (March 20, 2009). "Our Gangs". The New York Times.
Berson, M. (January 8, 2012). "'West Side Story': A classic revived" Archived January 12, 2012, at the Wayback Machine. Seattle Times.
Laurents, pp. 106–120.
Laurents, pp. 115–116, 124–131.
Laurents, p. 136.
""West Side Story Author Arthur Laurents Dies, 93" Archived July 9, 2012, at Archive.today forum.bcdb.com. May 4, 2011.
Laurents, p. 29.
Laurents, pp. 165–190.
Vaill, Amanda (2006). Somewhere: The Life of Jerome Robbins, Random House, Inc. p. 135. ISBN 0-7679-0420-6.
"'Look Ma, I'm Dancin' listing". Internet Broadway Database.
Laurents, pp. 286–289.
"Backstage.com obituary, November 1, 2006". Backstage.
Berkvist, Robert (May 5, 2011). "Arthur Laurents, Playwright and Director on Broadway, Dies at 93". The New York Times.
Jones, Kenneth (May 6, 2011). "Broadway Lights Will Dim May 6 in Memory of Arthur Laurents" Archived October 21, 2012, at the Wayback Machine. Playbill.
Gans, Andrew (June 3, 2010). "New Award Named for Arthur Laurents and His Partner, the Late Tom Hatcher" Archived June 5, 2010, at the Wayback Machine. Playbill.
Further reading
Laurents, Arthur (2000). Original Story by Arthur Laurents: A Memoir of Broadway and Hollywood. New York: Knopf. ISBN 0-375-40055-9.
Laurents, Arthur (2009). Mainly on Directing: Gypsy, West Side Story, and Other Musicals. New York: Knopf. ISBN 0-307-27088-2.
Clum, John (2014). The Works of Arthur Laurents: Politics, Love, and Betrayal. Amherst, NY: Cambria Press. ISBN 978-1-60497-884-1.
External links
Arthur Laurents at the Internet Broadway Database Edit this at Wikidata
Arthur Laurents at the Internet Off-Broadway Database
Arthur Laurents on IMDb
American Theatre Wing biography
Works by or about Arthur Laurents in libraries (WorldCat catalog)
Works by Arthur Laurents at Open Library Edit this at Wikidata
vte
Works by Arthur Laurents
Writer
Musicals
West Side Story (1957) Gypsy (1959) Anyone Can Whistle (1964) Do I Hear a Waltz? (1965) Hallelujah, Baby! (1967) The Madwoman of Central Park West (1979) Nick & Nora (1991)
Plays
Home of the Brave (1945) The Time of the Cuckoo (1952)
Films
Rope (1948) Caught (1949) Anastasia (1956) Bonjour Tristesse (1958) The Way We Were (1973) The Turning Point (1977)
Director
I Can Get It for You Wholesale (1962) Anyone Can Whistle (1964) Gypsy (1974) The Madwoman of Central Park West (1979) La Cage aux Folles (1983) Birds of Paradise (1987) Gypsy (1989) Nick & Nora (1991) Gypsy (2008) West Side Story (2009)
Awards for Arthur Laurents
vte
Arthur Laurents, Leonard Bernstein and Stephen Sondheim's West Side Story (1957)
Characters
Maria
Inspiration
William Shakespeare's Romeo and Juliet
Adaptations
West Side Story (1961 film) West Side Story Suite (1995 ballet) West Side Story (2020 film)
Variations
Deaf Side Story (c. 2002 musical) Swango (2002 musical) West Bank Story (2005 parody film)
Songs
Act 1
"Something's Coming" "Maria" "Tonight" "America" "Cool" "One Hand, One Heart" "Tonight (Quintet & Chorus)"
Act 2
"I Feel Pretty" "Somewhere" "Gee, Officer Krupke" "A Boy Like That"
Albums
West Side Story (1957 original cast) West Side Story (1959 Previn) West Side Story (1961 soundtrack) West Side Story (1961 Tjader) Bernstein Plays Brubeck Plays Bernstein (1961 Brubeck Quartet) West Side Story (1962 Peterson Trio) Kenton's West Side Story (1962 Kenton) Toshiko–Mariano Quartet (in West Side) (1963 Akiyoshi) West Side Story (1974 Earl Hines)
Related
"The First Time" "Upper West Side Story" Wild Side Story China Girl "Roses" Play It Again Josh Superjail!
Authority control Edit this at Wikidata
BNE: XX1122852 BNF: cb140368976 (data) GND: 123286352 ISNI: 0000 0001 1025 0247 LCCN: n85173003 MusicBrainz: e062e9c9-5fd4-4384-ba1d-71495ce3bb7d NKC: xx0026607 NTA: 071341080 SNAC: w6gf56zk SUDOC: 058478094 VIAF: 37116781 WorldCat Identities (via VIAF): 37116781
Categories: 1917 births2011 deathsAmerican memoiristsAmerican musical theatre librettistsAmerican people of World War IIAmerican male screenwritersCornell University alumniDeaths from pneumoniaDrama Desk Award winnersErasmus Hall High School alumniGay writersHollywood blacklistInfectious disease deaths in New York (state)Jewish American novelistsLGBT JewsLGBT memoiristsLGBT writers from the United StatesPeople from Flatbush, BrooklynUnited States Army personnelWriters from New York CityJewish American dramatists and playwrightsAnalysands of Theodor ReikLGBT dramatists and playwrightsLGBT novelistsGolden Globe Award-winning producersAmerican male novelistsLGBT screenwritersLGBT people from New York (state)Tony Award winnersAmerican male dramatists and playwrights20th-century American novelists20th-century American dramatists and playwrightsNovelists from New York (state)20th-century American non-fiction writersAmerican male non-fiction writersScreenwriters from New York (state)American Theater Hall of Fame inductees
After writing scripts for radio shows after college and then training films for the U.S. Army during World War II, Laurents turned to writing for Broadway, producing a body of work that includes West Side Story (1957), Gypsy (1959), and Hallelujah, Baby! (1967), and directing some of his own shows and other Broadway productions.
His early film scripts include Rope (1948) for Alfred Hitchcock, followed by Anastasia (1956), Bonjour Tristesse (1958), The Way We Were (1973), and The Turning Point (1977).
Contents
1 Early life
2 Theatrical career
3 Film career
4 Blacklist
5 Memoirs
6 Death
7 Work
7.1 Writing
7.2 Directing
7.3 Additional credits
8 Awards, nominations and honors
9 See also
10 References
11 Further reading
12 External links
Early life
Born Arthur Levine, Laurents was the son of middle-class Jewish parents, a lawyer and a schoolteacher who gave up her career when she married. He was born and raised in the Flatbush section of Brooklyn, a borough of New York City, New York, the elder of two children, and attended Erasmus Hall High School. His sister Edith suffered from chorea as a child.
His paternal grandparents were Orthodox Jews, and his mother's parents, although born Jewish, were atheists. His mother kept a kosher home for her husband's sake, but was lax about attending synagogue and observing the Jewish holidays. His Bar Mitzvah marked the end of Laurents's religious education and the beginning of his rejection of all fundamentalist religions, although he continued to identify himself as Jewish. However, late in life he admitted to having changed his last name from Levine to the less Jewish-sounding Laurents, "to get a job."
After graduating from Cornell University, Laurents took an evening class in radio writing at New York University. William N. Robson, his instructor, a CBS Radio director/producer, submitted his script Now Playing Tomorrow, a comedic fantasy about clairvoyance, to the network, and it was produced in the Columbia Workshop series on January 30, 1939, with Shirley Booth in the lead role. It was Laurents' first professional credit. The show's success led to him being hired to write scripts for various radio shows, among them Lux Radio Theater. Laurents' career was interrupted when he was drafted into the U.S. Army in the middle of World War II. Through a series of clerical errors, he never saw battle, but instead was assigned to the U.S. Army Pictorial Service located in a film studio in Astoria, Queens, where he wrote training films and met, among others, George Cukor and William Holden. He later was reassigned to write plays for Armed Service Force Presents, a radio show that dramatized the contributions of all branches of the armed forces.
Theatrical career
According to John Clum, "Laurents was always a mirror of his times. Through his best work, one sees a staged history of leftist, gender, and gay politics in the decades after World War II." After graduating from Cornell University in 1937, Laurents went to work as a writer for radio drama at CBS in New York. His military duties during World War II, which consisted of writing training films and radio scripts for Armed Service Force Presents, brought him into contact with some of the best film directors—distinguished director George Cukor directed his first script. Laurents's work in radio and film during World War II was an excellent apprenticeship for a budding playwright and screenwriter. He also had the good fortune to be based in New York City. His first stage play, Home of the Brave, was produced in 1945. The sale of the play to a film studio gave Laurents the entrée he needed to become a Hollywood screenwriter though he continued, with mixed success, to write plays. The most important of his early screenplays is his adaptation of Rope for Alfred Hitchcock.
Soon after being discharged from the Army, Laurents met ballerina Nora Kaye, and the two became involved in an on-again, off-again romantic relationship. While Kaye was on tour with Fancy Free, Laurents continued to write for the radio but was becoming discontented with the medium. At the urging of Martin Gabel, he spent nine consecutive nights writing a play In 1962, Laurents directed I Can Get It for You Wholesale, which helped to turn then-unknown Barbra Streisand into a star. His next project was the stage musical Anyone Can Whistle, which he directed and for which he wrote the book, but it proved to be an infamous flop. He later had success with the musicals Hallelujah, Baby! (written for Lena Horne but ultimately starring Leslie Uggams) and La Cage Aux Folles (1983), which he directed, however Nick & Nora was not successful.
In 2008, Laurents directed a Broadway revival of Gypsy starring Patti LuPone, and in 2009, he tackled a bilingual revival of West Side Story, with Spanish translations of some dialogue and lyrics by Lin-Manuel Miranda. While preparing West Side Story, he noted, "The musical theatre and cultural conventions of 1957 made it next to impossible for the characters to have authenticity." Following the production's March 19 opening at the Palace Theatre, Ben Brantley of The New York Times called the translations "an only partly successful experiment" and added, "Mr. Laurents has exchanged insolence for innocence and, as with most such bargains, there are dividends and losses." The national tour (2011-2012) was directed by David Saint, who was Laurents' assistant director on the Broadway production. The Spanish lyrics and dialog were reduced from about 18% of the total to about 10%.
Film career
Laurents' first Hollywood experience proved to be a frustrating disappointment. Director Anatole Litvak, unhappy with the script submitted by Frank Partos and Millen Brand for The Snake Pit (1948), hired Laurents to rewrite it. Partos and Brand later insisted the bulk of the shooting script was theirs, and produced carbon copies of many of the pages Laurents actually had written to bolster their claim. Having destroyed the original script and all his notes and rewritten pages after completing the project, Laurents had no way to prove most of the work was his, and the Writers Guild of America denied him screen credit. Brand later confessed he and Partos had copied scenes written by Laurents and apologized for his role in the deception. Four decades later, Laurents learned he was ineligible for WGA health benefits because he had failed to accumulate enough credits to qualify. He was short by one, the one he failed to get for The Snake Pit.
Upon hearing 20th Century Fox executives were pleased with Laurents' work on The Snake Pit, Alfred Hitchcock hired him for his next project, the film Rope starring James Stewart. Hitchcock wanted Laurents to Americanize the British play Rope (1929) by Patrick Hamilton for the screen. With his then-lover Farley Granger set to star, Laurents was happy to accept the assignment. His dilemma was how to make the audience aware of the fact the three main characters were homosexual without blatantly saying so. The Hays Office kept close tabs on his work, and the final script was so discreet that Laurents was unsure whether co-star James Stewart ever realized that his character was gay. In later years, Hitchcock asked him to script both Torn Curtain (1966) and Topaz (1969), However, Laurents, in both cases unenthused by the material, declined the offers.
Laurents also scripted Anastasia (1956) and Bonjour Tristesse (1958). The Way We Were (1973), in which he incorporated many of his own experiences, particularly those with the HUAC, reunited him with Barbra Streisand, and The Turning Point (1977), inspired in part by his love for Nora Kaye, was directed by her husband Herbert Ross. The Fox animated feature film Anastasia (1997) was based in part from his screenplay of the live-action 1956 film of the same title.
Blacklist
Because of a casual remark made by Russel Crouse, Laurents was called to Washington, D.C., to account for his political views. He explained himself to the House Un-American Activities Committee, and his appearance had no obvious impact on his career, which at the time was primarily in the theatre. When the McCarran Internal Security Act, which prohibited individuals suspected of engaging in subversive activities from obtaining a passport, was passed in 1950, Laurents and Granger immediately applied for and received passports and departed for Paris with Harold Clurman and his wife Stella Adler. Laurents and Granger remained abroad, traveling throughout Europe and northern Africa, for about 18 months.
Years earlier, Laurents and Jerome Robbins had developed Look Ma, I'm Dancin'! (1948), a stage musical about the world of ballet that ran for 188 performances on Broadway, and starred Nancy Walker and Harold Lang. (Although the musical was ultimately produced with a book by Jerome Lawrence and Robert E. Lee, as Laurents left the project.) Robbins approached Paramount Pictures about directing a screen version, and the studio agreed as long as Laurents was not part of the package.
It was not until then that Laurents learned he officially had been blacklisted, primarily because a review of Home of the Brave had been published in the Daily Worker. He decided to return to Paris, but the State Department refused to renew his passport. Laurents spent three months trying to clear his name, and after submitting a lengthy letter explaining his political beliefs in detail, it was determined they were so idiosyncratic he could not have been a member of any subversive groups. Within a week his passport was renewed, and the following day he sailed for Europe on the Ile de France. While on board, he received a cable from Metro-Goldwyn-Mayer offering him a screenwriting assignment. The blacklist had ended.
Memoirs
Laurents wrote Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood, published in 2000. In it, he discusses his lengthy career and his many gay affairs and long-term relationships, including those with Farley Granger and Tom Hatcher (August 24, 1929 - October 26, 2006). Hatcher was an aspiring actor whom Gore Vidal suggested Laurents seek out at the Beverly Hills men's clothing store Hatcher was managing at the time. The couple remained together for 52 years until Hatcher's death on October 26, 2006.
Laurents wrote Mainly on Directing: Gypsy, West Side Story and Other Musicals, published in 2009, in which he discussed musicals he directed and the work of other directors he admired.
His last memoir titled The Rest of the Story was published posthumously in September 2012.
Death
Laurents died at the age of 93 at his home in Manhattan on May 5, 2011 of pneumonia complications, as reported by The New York Times. Following a long tradition, Broadway theatre lights were dimmed at 8 p.m. on May 6, 2011, for one minute in his memory. His ashes were buried alongside those of Tom Hatcher in a memorial bench in Quogue, Long Island, New York.
Work
Writing
Musicals
West Side Story – 1957 – Tony Nomination for Best Musical
Gypsy – 1959 – Tony Nomination for Best Musical
Anyone Can Whistle – 1964
Do I Hear a Waltz? – 1965
Hallelujah, Baby! – 1967 – Tony Award for Best Musical
The Madwoman of Central Park West – 1979
Nick & Nora – 1991
Novel
The Turning Point – 1977; New American Library (New York City); OCLC 11014907
Plays
Home of the Brave – 1945
The Bird Cage – 1950
The Time of the Cuckoo – 1952
A Clearing in the Woods – 1957
Invitation to a March – 1960
Directing
Invitation to a March – 1960
I Can Get It for You Wholesale – 1962
Anyone Can Whistle – 1964
Gypsy – 1974 – Tony Nomination for Best Direction of a Musical
The Madwoman of Central Park West – 1979
La Cage aux Folles – 1983 – Tony Award for Best Direction of a Musical
Nick & Nora – 1991
Gypsy – 2008 – Tony Award nomination as Best Director of a Musical
West Side Story – 2009 Broadway Revival
Additional credits
Anna Lucasta (screenwriter)
A Clearing in the Woods (playwright)
Invitation to a March (playwright, director)
The Madwoman of Central Park West (playwright, director)
My Good Name (playwright)
Jolson Sings Again (playwright)
The Enclave (playwright, director)
Radical Mystique (playwright, director)
Big Potato (playwright)
Two Lives (playwright)
My Good Name (playwright)
Claudia Lazlo (playwright)
Attacks on the Heart (playwright)
2 Lives (playwright)
New Year's Eve (playwright)
Come Back, Come Back, Wherever You Are (playwright, director)
Caught (screenwriter)
Rope (screenwriter)
Awards, nominations and honors
A new award was established in 2010, The Laurents/Hatcher Foundation Award. This is awarded annually "for an un-produced, full-length play of social relevance by an emerging American playwright." The Laurents/Hatcher Foundation will give $50,000 to the writer with a grant of $100,000 towards production costs at a nonprofit theatre. The first award will be given in 2011.
Theatre
1958 Tony Award for Best Musical (West Side Story, nominee)
1960 Tony Award for Best Musical (Gypsy, nominee)
1968 Tony Award for Best Musical (Hallelujah, Baby!, winner)
1975 Drama Desk Award for Outstanding Director of a Musical (Gypsy, winner)
1975 Tony Award for Best Direction of a Musical (Gypsy, nominee)
1984 Tony Award for Best Direction of a Musical (La Cage aux Folles, winner)
2008 Tony Award for Best Direction of a Musical (Gypsy, nominee)
Film
Academy Award for Best Picture (The Turning Point, nominee)
Academy Award for Best Original Screenplay (The Turning Point, nominee)
Edgar Allan Poe Award for Best Motion Picture Screenplay (Rope, nominee)
Golden Globe Award for Best Screenplay (The Turning Point, nominee)
Writers Guild of America Award for Best Original Screenplay (The Way We Were, nominee; The Turning Point, winner)
National Board of Review Award for Career Achievement (winner)
See also
Biography portal
Film portal
Musical Theatre portal
icon Theatre portal
icon Writing portal
List of Jewish American playwrights
List of novelists from the United States
List of pneumonia victims
List of people from Brooklyn, New York
List of playwrights from the United States
List of theatre directors
References
"Legendary Writer & Director Arthur Laurents Dies at 93". Broadway World. Retrieved May 6, 2011.
John M. Clum. The Works of Arthur Laurents: Politics, Love, and Betrayal. Amherst, NY: Cambria Press, 2014.
"Obituaries: Arthur Laurents". The Daily Telegraph. May 6, 2011.
"When You’re a Shark You’re a Shark All the Way". New York.
Hawtree, Christopher (May 6, 2011). "Arthur Laurents obituary: Playwright and screenwriter who wrote the book for West Side Story". The Guardian. Retrieved 6 August 2012.
Hutchinson, Bill (May 6, 2011). "Playwright Behind 'West Side Story' and 'Gypsy,' Arthur Laurents, Dies at Age 93". Daily News.
Arnold, Laurence (May 5, 2011). "Arthur Laurents, Writer of 'West Side Story,' 'Gypsy' Scripts, Dies at 93". Bloomberg News.
Laurents, Arthur. "Beginnings" Original Story By Arthur Laurents: A Memoir of Broadway and Hollywood, Hal Leonard Corporation, 2001, ISBN 1-55783-467-9, pp. 10–11, 34–35.
Laurents, Arthur. Original Story By. New York: Alfred A. Knopf (2000). ISBN 0-375-40055-9, pp. 6–7.
Laurents, p. 133.
Laurents, pp. 12–13.
Laurents, pp. 22–28.
Clum, John, "The Works of Arthur Laurents: Politics, Love, and Betrayal", November 2014, Cambria Press, ISBN 1604978848
Clum, John, "The Works of Arthur Laurents: Politics, Love, and Betrayal"
Laurents, p. 93.
Jones, Kenneth (July 16, 2008). "'West Side Story', This Time With Bilingual Approach, Will Return to Broadway in February 2009". Playbill.
Brantley, Ben (March 20, 2009). "Our Gangs". The New York Times.
Berson, M. (January 8, 2012). "'West Side Story': A classic revived" Archived January 12, 2012, at the Wayback Machine. Seattle Times.
Laurents, pp. 106–120.
Laurents, pp. 115–116, 124–131.
Laurents, p. 136.
""West Side Story Author Arthur Laurents Dies, 93" Archived July 9, 2012, at Archive.today forum.bcdb.com. May 4, 2011.
Laurents, p. 29.
Laurents, pp. 165–190.
Vaill, Amanda (2006). Somewhere: The Life of Jerome Robbins, Random House, Inc. p. 135. ISBN 0-7679-0420-6.
"'Look Ma, I'm Dancin' listing". Internet Broadway Database.
Laurents, pp. 286–289.
"Backstage.com obituary, November 1, 2006". Backstage.
Berkvist, Robert (May 5, 2011). "Arthur Laurents, Playwright and Director on Broadway, Dies at 93". The New York Times.
Jones, Kenneth (May 6, 2011). "Broadway Lights Will Dim May 6 in Memory of Arthur Laurents" Archived October 21, 2012, at the Wayback Machine. Playbill.
Gans, Andrew (June 3, 2010). "New Award Named for Arthur Laurents and His Partner, the Late Tom Hatcher" Archived June 5, 2010, at the Wayback Machine. Playbill.
Further reading
Laurents, Arthur (2000). Original Story by Arthur Laurents: A Memoir of Broadway and Hollywood. New York: Knopf. ISBN 0-375-40055-9.
Laurents, Arthur (2009). Mainly on Directing: Gypsy, West Side Story, and Other Musicals. New York: Knopf. ISBN 0-307-27088-2.
Clum, John (2014). The Works of Arthur Laurents: Politics, Love, and Betrayal. Amherst, NY: Cambria Press. ISBN 978-1-60497-884-1.
External links
Arthur Laurents at the Internet Broadway Database Edit this at Wikidata
Arthur Laurents at the Internet Off-Broadway Database
Arthur Laurents on IMDb
American Theatre Wing biography
Works by or about Arthur Laurents in libraries (WorldCat catalog)
Works by Arthur Laurents at Open Library Edit this at Wikidata
vte
Works by Arthur Laurents
Writer
Musicals
West Side Story (1957) Gypsy (1959) Anyone Can Whistle (1964) Do I Hear a Waltz? (1965) Hallelujah, Baby! (1967) The Madwoman of Central Park West (1979) Nick & Nora (1991)
Plays
Home of the Brave (1945) The Time of the Cuckoo (1952)
Films
Rope (1948) Caught (1949) Anastasia (1956) Bonjour Tristesse (1958) The Way We Were (1973) The Turning Point (1977)
Director
I Can Get It for You Wholesale (1962) Anyone Can Whistle (1964) Gypsy (1974) The Madwoman of Central Park West (1979) La Cage aux Folles (1983) Birds of Paradise (1987) Gypsy (1989) Nick & Nora (1991) Gypsy (2008) West Side Story (2009)
Awards for Arthur Laurents
vte
Arthur Laurents, Leonard Bernstein and Stephen Sondheim's West Side Story (1957)
Characters
Maria
Inspiration
William Shakespeare's Romeo and Juliet
Adaptations
West Side Story (1961 film) West Side Story Suite (1995 ballet) West Side Story (2020 film)
Variations
Deaf Side Story (c. 2002 musical) Swango (2002 musical) West Bank Story (2005 parody film)
Songs
Act 1
"Something's Coming" "Maria" "Tonight" "America" "Cool" "One Hand, One Heart" "Tonight (Quintet & Chorus)"
Act 2
"I Feel Pretty" "Somewhere" "Gee, Officer Krupke" "A Boy Like That"
Albums
West Side Story (1957 original cast) West Side Story (1959 Previn) West Side Story (1961 soundtrack) West Side Story (1961 Tjader) Bernstein Plays Brubeck Plays Bernstein (1961 Brubeck Quartet) West Side Story (1962 Peterson Trio) Kenton's West Side Story (1962 Kenton) Toshiko–Mariano Quartet (in West Side) (1963 Akiyoshi) West Side Story (1974 Earl Hines)
Related
"The First Time" "Upper West Side Story" Wild Side Story China Girl "Roses" Play It Again Josh Superjail!
Authority control Edit this at Wikidata
BNE: XX1122852 BNF: cb140368976 (data) GND: 123286352 ISNI: 0000 0001 1025 0247 LCCN: n85173003 MusicBrainz: e062e9c9-5fd4-4384-ba1d-71495ce3bb7d NKC: xx0026607 NTA: 071341080 SNAC: w6gf56zk SUDOC: 058478094 VIAF: 37116781 WorldCat Identities (via VIAF): 37116781
Categories: 1917 births2011 deathsAmerican memoiristsAmerican musical theatre librettistsAmerican people of World War IIAmerican male screenwritersCornell University alumniDeaths from pneumoniaDrama Desk Award winnersErasmus Hall High School alumniGay writersHollywood blacklistInfectious disease deaths in New York (state)Jewish American novelistsLGBT JewsLGBT memoiristsLGBT writers from the United StatesPeople from Flatbush, BrooklynUnited States Army personnelWriters from New York CityJewish American dramatists and playwrightsAnalysands of Theodor ReikLGBT dramatists and playwrightsLGBT novelistsGolden Globe Award-winning producersAmerican male novelistsLGBT screenwritersLGBT people from New York (state)Tony Award winnersAmerican male dramatists and playwrights20th-century American novelists20th-century American dramatists and playwrightsNovelists from New York (state)20th-century American non-fiction writersAmerican male non-fiction writersScreenwriters from New York (state)American Theater Hall of Fame inductees
Creedence Clearwater Revival
Creedence Clearwater Revival, also referred to as Creedence and CCR, was an American rock band that recorded and performed from 1959 to 1972 under various names before settling on the Creedence Clearwater Revival name in 1967. The band initially consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty; his brother, rhythm guitarist Tom Fogerty; bassist Stu Cook; and drummer Doug Clifford. These members had played together since 1959, first as the Blue Velvets and later as the Golliwogs.
Paul McCartney
Sir James Paul McCartney, MBE (born 18 June 1942) is an English rock singer, bass guitarist, songwriter, composer, multi-instrumentalist, entrepreneur, record producer, film producer and animal-rights activist. He gained worldwide fame as a member of The Beatles, with John Lennon, George Harrison, and Ringo Starr. McCartney and Lennon formed one of the most influential and successful songwriting partnerships and "wrote some of the most popular music in rock and roll history". After leaving The Beatles, McCartney launched a successful solo career and formed the band Wings with his first wife, Linda Eastman McCartney, and singer-songwriter Denny Laine. He has worked on film scores, classical music, and ambient/electronic music; released a large catalogue of songs as a solo artist; and taken part in projects to help international charities.
McCartney is listed in Guinness World Records as the most successful musician and composer in popular music history, with 60 gold discs and sales of 100 million singles. His song "Yesterday" is listed as the most covered song in history - by over 3,700 artists so far - and has been played more than 7,000,000 times on American television and radio. Wings' 1977 single "Mull of Kintyre" became the first single to sell more than two million copies in the UK, and remains the UK's top selling non-charity single. (Three charity singles have since surpassed it in sales; the first to do so—in 1984—was Band Aid's "Do They Know It's Christmas?", whose participants included McCartney.)
His company MPL Communications owns the copyrights to more than 3,000 songs, including all of the songs written by Buddy Holly, along with the publishing rights to such musicals as Guys and Dolls, A Chorus Line, and Grease. McCartney is also an advocate for animal rights, vegetarianism, and music education; he is active in campaigns against landmines, seal hunting, and Third World debt.
McCartney is listed in Guinness World Records as the most successful musician and composer in popular music history, with 60 gold discs and sales of 100 million singles. His song "Yesterday" is listed as the most covered song in history - by over 3,700 artists so far - and has been played more than 7,000,000 times on American television and radio. Wings' 1977 single "Mull of Kintyre" became the first single to sell more than two million copies in the UK, and remains the UK's top selling non-charity single. (Three charity singles have since surpassed it in sales; the first to do so—in 1984—was Band Aid's "Do They Know It's Christmas?", whose participants included McCartney.)
His company MPL Communications owns the copyrights to more than 3,000 songs, including all of the songs written by Buddy Holly, along with the publishing rights to such musicals as Guys and Dolls, A Chorus Line, and Grease. McCartney is also an advocate for animal rights, vegetarianism, and music education; he is active in campaigns against landmines, seal hunting, and Third World debt.
Mike Batt
Michael Philip Batt, LVO (born 6 February 1949) is an English singer-songwriter, musician, arranger, record producer, director, conductor and former Deputy Chairman of the British Phonographic Industry. Having achieved substantial international success as a solo artist he is particularly known in the UK for creating The Wombles pop act, writing many hits including the chart-topping "Bright Eyes", and discovering Katie Melua. He has also conducted many of the world's great orchestras, including the London Symphony, Royal Philharmonic, London Philharmonic, Sydney Symphony and Stuttgart Philharmonic in both classical and pop recordings and performances.
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Banda de Marcha Universitaria Minerva
La Banda de Marcha Universitaria Minerva (BMUM) es un proyecto que reúne y desarrolla las inquietudes de la comunidad estudiantil con matrícula activa de la BUAP interesada en la música, a través de actividades que fortalecen el sentido del trabajo en equipo, identidad, liderazgo, disciplina y consolidación de competencias genéricas, pretendiendo establecer un programa formativo integral permanente que complemente el desarrollo de quienes lo conforman.
Anastasia
Anastasia is an Academy Award nominated American animated feature musical film produced and directed by Don Bluth and Gary Goldman at Fox Animation Studios, and was released on November 14, 1997 by 20th Century Fox.
The idea for the film originates from Fox's 1956 live-action film version of the same name. Executives at Fox gave Bluth and Goldman the choice of creating an animated adaptation of either the 1956 film or the original play by Marcelle Maurette.
The idea for the film originates from Fox's 1956 live-action film version of the same name. Executives at Fox gave Bluth and Goldman the choice of creating an animated adaptation of either the 1956 film or the original play by Marcelle Maurette.
Astor Piazolla
Astor Pantaleón Piazzolla (Spanish pronunciation: , Italian pronunciation: ; March 11, 1921 – July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles.
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music".
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music".
Paul Hindemith
Paul Hindemith (16 November 1895 – 28 December 1963) was a German composer, violist, violinist, teacher, music theorist and conductor.
Alphons Czibulka
Alphons Czibulka, Alfons Czibulka, or Czibulka Alfonz (14 May 1842 – 27 October 1894) was an Austro-Hungarian military bandmaster, composer, pianist, and conductor.Czibulka was born in Spišské Podhradie (German: Kirchdrauf, Hungarian: Szepesváralja), district of Spiš (Hungarian: Szepes County), Upper Hungary. He first came to prominence from the age of 15 touring Southern Russia giving piano recitals and concerts. He eventually became musical director at the French Opera in Odessa and at the National Theatre in Innsbruck, in 1865 he was second under Franz von Suppe as conductor at the Carl Theatre in Vienna.
Chuck Berry
Charles Edward Anderson "Chuck" Berry (born October 18, 1926) is an American guitarist, singer, and songwriter, and one of the pioneers of rock and roll music. With songs such as "Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and "Johnny B. Goode" (1958), Chuck Berry refined and developed rhythm and blues into the major elements that made rock and roll distinctive, with lyrics focusing on teen life and consumerism and utilizing guitar solos and showmanship that would be a major influence on subsequent rock music.
Traditional
Chiqui Pineda
Chiqui Pineda is a Filipino artist. Multi-skilled and talented, Chiqui is a firm believer of “courage in creativity”. Born in Manila, Chiqui attended Stella Maris Academy of Davao City and completed an Economics degree at UP Diliman. The “How Did You Know” Years. Chiqui was a VIVA Record artist from 1994 to 1998.
Alan Cruise-Johnston
Alan Cruise-Johnston is one of a multitude of part-time musicians who spent their working life playing, adapting, studying, re-writing, transposing the work of others, and occasionally when time permitted, scribbling a few original notes for various purposes. When the pressures of earning enough to survive subsided, he discovered the leisure and pleasure which allowed creativity to flourish, and has spent two decades indulging this musical interest, bordering upon an obsession. He now has a body of work numbering 200 compositions for choirs, vocal soloists, and pianists. Over 70,000 copies of these have been distributed world-wide via the internet and about ten new compositions are added each year. These are usually pieces which set memorable words in a traditional yet refreshingly different style, which is within the capacity of amateur singers. Both religious and secular themes are treated with respect and sensitivity, but there is often a touch of the whimsical in an otherwise serious attempt at producing an original, innovative, yet accessible style which performers and audience find equally appealing.
Antonio Cesti
Pietro Marc'Antonio Cesti, known today primarily as an Italian composer of the Baroque era, was also a singer, and organist. He was "the most celebrated Italian musician of his generation"
Hoagy Carmichael
Hoagland Howard "Hoagy" Carmichael (November 22, 1899 – December 27, 1981) was an American composer, pianist, singer, actor, and bandleader. He is best known for writing the melody to "Stardust" (1927), one of the most-recorded American songs of all time. Carmichael spelled it "Star Dust", but the space is usually omitted.
Alec Wilder, in his study of the American popular song, concluded that Hoagy Carmichael was the "most talented, inventive, sophisticated and jazz-oriented" of the hundreds of writers composing pop songs in the first half of the 20th century.
Carmichael finished and recorded one of his most famous songs, the sophisticated "Star Dust" (later re-named "Stardust", with lyrics), at the Gennett Records studio in Richmond, Indiana, with Carmichael doing the piano solo. The song, an idiosyncratic melody in medium tempo, actually a song about a song, later became the quintessential American standard, recorded by dozens of artists. Shortly thereafter, Carmichael got bigtime recognition when Paul Whiteman recorded "Washboard Blues", with Carmichael playing and singing, and the Dorsey brothers and Bix Beiderbecke in the orchestra. Despite his growing fame, at this stage Carmichael was still somewhat handicapped by his inability to sight-read and notate music properly, though clearly innovative and talented. With coaching, he soon became more proficient at arranging his own music.
Alec Wilder, in his study of the American popular song, concluded that Hoagy Carmichael was the "most talented, inventive, sophisticated and jazz-oriented" of the hundreds of writers composing pop songs in the first half of the 20th century.
Carmichael finished and recorded one of his most famous songs, the sophisticated "Star Dust" (later re-named "Stardust", with lyrics), at the Gennett Records studio in Richmond, Indiana, with Carmichael doing the piano solo. The song, an idiosyncratic melody in medium tempo, actually a song about a song, later became the quintessential American standard, recorded by dozens of artists. Shortly thereafter, Carmichael got bigtime recognition when Paul Whiteman recorded "Washboard Blues", with Carmichael playing and singing, and the Dorsey brothers and Bix Beiderbecke in the orchestra. Despite his growing fame, at this stage Carmichael was still somewhat handicapped by his inability to sight-read and notate music properly, though clearly innovative and talented. With coaching, he soon became more proficient at arranging his own music.
Hisaishi Jou
Mamoru Fujisawa (藤澤 守 Fujisawa Mamoru?), known professionally as Joe Hisaishi (久石 譲 Hisaishi Jō?, born December 6, 1950), is a composer and director known for over 100 film scores and solo albums dating back to 1981.
While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical. Lesser known are the other musical roles he plays; he is also a typesetter, author, arranger, and head of an orchestra.
He is best known for his work with animator Hayao Miyazaki, having composed scores for many of his films including Nausicaä of the Valley of the Wind (1984), Castle in the Sky (1986), My Neighbor Totoro (1988), Kiki's Delivery Service (1989), Porco Rosso (1992), Princess Mononoke (1997), Spirited Away (2001), Howl's Moving Castle (2004) and Ponyo on the Cliff by the Sea (2008). He is also recognized for the soundtracks he has provided for filmmaker 'Beat' Takeshi Kitano, including A Scene at the Sea (1991), Dolls (2002), Kikujiro (1999), Hana-bi (1997), Kids Return (1996), Ocean Heaven (2010) and Sonatine (1993).
While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical. Lesser known are the other musical roles he plays; he is also a typesetter, author, arranger, and head of an orchestra.
He is best known for his work with animator Hayao Miyazaki, having composed scores for many of his films including Nausicaä of the Valley of the Wind (1984), Castle in the Sky (1986), My Neighbor Totoro (1988), Kiki's Delivery Service (1989), Porco Rosso (1992), Princess Mononoke (1997), Spirited Away (2001), Howl's Moving Castle (2004) and Ponyo on the Cliff by the Sea (2008). He is also recognized for the soundtracks he has provided for filmmaker 'Beat' Takeshi Kitano, including A Scene at the Sea (1991), Dolls (2002), Kikujiro (1999), Hana-bi (1997), Kids Return (1996), Ocean Heaven (2010) and Sonatine (1993).
Zelda medley
In music, a medley is a piece composed from parts of existing pieces, usually three, played one after another, sometimes overlapping. They are common in popular music, and most medleys are songs rather than instrumental. A medley which is a remixed series is called a megamix, often done with tracks for a single artist, or for popular songs from a given year or genre.
A medley is the most common form of overture for musical theater productions.
In Latin music, medleys are known as potpourrís or mosaicos; the latter were popularized by artists such as Roberto Faz and Billo Frómeta, and most commonly consist of boleros, guarachas, merengues or congas.
A medley is the most common form of overture for musical theater productions.
In Latin music, medleys are known as potpourrís or mosaicos; the latter were popularized by artists such as Roberto Faz and Billo Frómeta, and most commonly consist of boleros, guarachas, merengues or congas.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Dvorak
Antonín Leopold Dvořák (September 8, 1841 – May 1, 1904) was a Czech composer of Romantic music, who employed the idioms and melodies of the folk music of his native Bohemia and Moravia. His works include operas, symphonic, choral and chamber music. His best-known works are his New World Symphony (particularly the slow movement), as well as his Slavonic Dances, American String Quartet, and Cello Concerto in B minor.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (the best known of which is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (the best known of which is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
W.A. Mozart
Wolfgang Amadeus Mozart (German: , full baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart (27 January 1756 – 5 December 1791), was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. He is among the most enduringly popular of classical composers.
Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty; at 17 he was engaged as a court musician in Salzburg, but grew restless and traveled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and the Requiem. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate—the whole informed by a vision of humanity "redeemed through art, forgiven, and reconciled with nature and the absolute." His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that "posterity will not see such a talent again in 100 years."
Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty; at 17 he was engaged as a court musician in Salzburg, but grew restless and traveled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and the Requiem. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate—the whole informed by a vision of humanity "redeemed through art, forgiven, and reconciled with nature and the absolute." His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that "posterity will not see such a talent again in 100 years."
Stephen Pearson
Although my training and career was as a lawyer, my personal worlds were in the mountains and in song. From 1995-2005, I wrote music and lyrics for the 150 Psalms (as well as related devotional music), and established a web site, www.psalmistry.com, to share the work with fellow praise and worship teams. I am now retired from my profession, but not the mountains or music. The changes in music technology continue to add exciting avenues of expression and creation.
Scott Joplin
Scott Joplin (between June 1867 and January 1868 – April 1, 1917) was an American musician and composer of ragtime music. He remains the best-known ragtime figure and is regarded as one of the three most important composers of classic ragtime, along with James Scott and Joseph Lamb, and also a precursor to Stride Piano. Decades after his death, his music enjoyed a considerable surge of popularity and critical respect in the 1970s, especially for his most famous composition, "The Entertainer."
Even at the time of publication, Joplin's publisher John Stark was claiming that the rags had obtained classical status, and "lifted ragtime from its low estate and lined it up with Beethoven and Bach".
Even at the time of publication, Joplin's publisher John Stark was claiming that the rags had obtained classical status, and "lifted ragtime from its low estate and lined it up with Beethoven and Bach".
Harry Warren
Harry Warren (born Salvatore Antonio Guaragna, December 24, 1893 – September 22, 1981) was an American composer and lyricist. Warren was the first major American songwriter to write primarily for film. He was nominated for the Academy Award for Best Original Song eleven times and won three Oscars for composing "Lullaby of Broadway", "You'll Never Know" and "On the Atchison, Topeka and the Santa Fe". He wrote the music for the first blockbuster film musical, 42nd Street, choreographed by Busby Berkeley, with whom he would collaborate on many musical films.
John Denver
John Denver (December 31, 1943 – October 12, 1997), born Henry John Deutschendorf, Jr., was an American Country Music/folk singer-songwriter and folk rock musician. One of the most popular artists of the 1970s, he recorded and released some 300 songs, about half composed by himself. He was named Poet Laureate of Colorado in 1977. Songs such as "Leaving on a Jet Plane" (1967), "Take Me Home, Country Roads" (1971), "Rocky Mountain High" (1973), "Thank God I'm a Country Boy" (1974), "Annie's Song" (1974), "Sunshine on My Shoulders" (1974), and "Calypso" (1975) are popular worldwide. Denver has been referred to as "The Poet for the Planet", "Mother Nature's Son" (based on The Beatles song he covered) and "A Song's Best Friend".
Nat King Cole
Nathaniel Adams Coles (March 17, 1919 â February 15, 1965), known professionally as Nat King Cole, was an American musician.
Cole first came to prominence as a leading jazz pianist, then switched his emphasis to singing, becoming one of the most popular and best known vocalists of all time.
Cole's first mainstream vocal hit was his 1943 recording of one of his compositions, "Straighten Up and Fly Right", based on a black folk tale that his father had used as a theme for a sermon. Johnny Mercer invited him to record it for the fledgling Capitol Records label. It sold over 500,000 copies, and proved that folk-based material could appeal to a wide audience. Although Nat would never be considered a rocker, the song can be seen as anticipating the first rock and roll records. Indeed, Bo Diddley, who performed similar transformations of folk material, counted Cole as an influence.
Beginning in the late 1940s, Cole began recording and performing more pop-oriented material for mainstream audiences, often accompanied by a string orchestra. His stature as a popular icon was cemented during this period by hits such as "The Christmas Song" (Cole recorded the tune four times: June 14, 1946 as a pure Trio recording; August 19, 1946 with an added string section; August 24, 1953; and again in 1961 for the double album, The Nat King Cole Story. This final version, recorded in stereo, is the one most often heard today.), "Nature Boy" (1948), "Mona Lisa" (1950), "Too Young" (the #1 song in 1951), and his signature tune "Unforgettable" (1951). While this shift to pop music led some jazz critics and fans to accuse Cole of selling out, he never totally abandoned his jazz roots; as late as 1956, for instance, he recorded an all-jazz album, After Midnight.
His last album, L-O-V-E, was recorded in early December 1964 â just a few days before entering the hospital for lung cancer treatment â and released just prior to his death; it peaked at #4 on the Billboard Albums chart in the spring of 1965. A Best Of album went gold in 1968. His 1957 recording of "When I Fall In Love" reached #4 in the UK charts in 1987.
Cole first came to prominence as a leading jazz pianist, then switched his emphasis to singing, becoming one of the most popular and best known vocalists of all time.
Cole's first mainstream vocal hit was his 1943 recording of one of his compositions, "Straighten Up and Fly Right", based on a black folk tale that his father had used as a theme for a sermon. Johnny Mercer invited him to record it for the fledgling Capitol Records label. It sold over 500,000 copies, and proved that folk-based material could appeal to a wide audience. Although Nat would never be considered a rocker, the song can be seen as anticipating the first rock and roll records. Indeed, Bo Diddley, who performed similar transformations of folk material, counted Cole as an influence.
Beginning in the late 1940s, Cole began recording and performing more pop-oriented material for mainstream audiences, often accompanied by a string orchestra. His stature as a popular icon was cemented during this period by hits such as "The Christmas Song" (Cole recorded the tune four times: June 14, 1946 as a pure Trio recording; August 19, 1946 with an added string section; August 24, 1953; and again in 1961 for the double album, The Nat King Cole Story. This final version, recorded in stereo, is the one most often heard today.), "Nature Boy" (1948), "Mona Lisa" (1950), "Too Young" (the #1 song in 1951), and his signature tune "Unforgettable" (1951). While this shift to pop music led some jazz critics and fans to accuse Cole of selling out, he never totally abandoned his jazz roots; as late as 1956, for instance, he recorded an all-jazz album, After Midnight.
His last album, L-O-V-E, was recorded in early December 1964 â just a few days before entering the hospital for lung cancer treatment â and released just prior to his death; it peaked at #4 on the Billboard Albums chart in the spring of 1965. A Best Of album went gold in 1968. His 1957 recording of "When I Fall In Love" reached #4 in the UK charts in 1987.
The Corrs
The Corrs are a Celtic folk rock group from Dundalk, County Louth, Ireland. The group consists of the Corr siblings: Andrea (vocals, tin whistle); Sharon (violin, vocals); Caroline (drums, percussion, bodhrán, vocals); and Jim (guitar, keyboards, vocals).
The Corrs came to international prominence with their performance at the 1996 Summer Olympics in Atlanta, Georgia. Since then, they have released five studio albums and numerous singles, which have reached platinum in many countries. Talk on Corners, their most successful album to date, reached multi-platinum status in Australia and the UK.
The Corrs have been actively involved in philanthropic activities. They have performed in numerous charity concerts such as the Prince's Trust in 2004 and Live 8 alongside Bono in 2005. The same year, they were awarded honorary MBEs for their contributions to music and charity. The Corrs are on hiatus because Sharon, Jim, and Caroline are raising families, while Andrea is pursuing a solo career.
The Corrs came to international prominence with their performance at the 1996 Summer Olympics in Atlanta, Georgia. Since then, they have released five studio albums and numerous singles, which have reached platinum in many countries. Talk on Corners, their most successful album to date, reached multi-platinum status in Australia and the UK.
The Corrs have been actively involved in philanthropic activities. They have performed in numerous charity concerts such as the Prince's Trust in 2004 and Live 8 alongside Bono in 2005. The same year, they were awarded honorary MBEs for their contributions to music and charity. The Corrs are on hiatus because Sharon, Jim, and Caroline are raising families, while Andrea is pursuing a solo career.
Yoko Kanno
Yoko Kanno (菅野 よう子 Kanno Yōko?, born March 19, 1964 in Miyagi Prefecture, Japan) is a composer, arranger and musician best known for her work on the soundtracks for many games, anime films, TV series, live-action movies, and advertisements. She has written scores for famous animated works, including Macross Plus, Turn A Gundam, Cowboy Bebop, The Vision of Escaflowne, Ghost in the Shell: Stand Alone Complex, Wolf's Rain, and is the most trusted composer by veteran and new-wave directors such as Yoshiyuki Tomino, Shinichiro Watanabe and Shoji Kawamori. Kanno has also composed music for J-pop artists, the most notable being Maaya Sakamoto and Kyōko Koizumi. She is also a skilled keyboardist, and is the frontwoman for The Seatbelts, who perform many of Kanno's compositions on the various original soundtracks for which she is responsible.
The Spitfire Grill
After being released from jail, Percy Talbott (Alison Elliott) travels to a town in Maine looking for a new beginning. When she arrives, she finds work at a restaurant owned by the crabby Hannah (Ellen Burstyn). She also befriends a waitress named Shelby (Marcia Gay Harden) and begins a romance with…
Ludwig van Beethoven
Ludwig van Beethoven (/ˈlʊdvɪɡ væn ˈbeɪt(h)oʊvən/ (About this soundlisten); German: (About this soundlisten); baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the classical and romantic eras in classical music, he remains one of the most recognized and influential musicians of this period, and is considered to be one of the greatest composers of all time.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Krzysztof Penderecki
Krzysztof Eugeniusz Penderecki was a Polish composer and conductor. His best known works include Threnody to the Victims of Hiroshima, Symphony No. 3, his St Luke Passion, Polish Requiem, Anaklasis and Utrenja.
Jim Brickman
Jim Brickman (born November 20, 1961) is an American composer and pianist. Brickman is known for his solo piano compositions, which are classified as new age music. However, he is as well known for his original love songs and performing them with vocalists such as Martina McBride, Michael W. Smith, Michelle Wright and others.
His music career started when he was nineteen, when Jim Henson hired him to write tunes for Sesame Street. He was also hired to write commercial jingles while in college.
Brickman signed with Windham Hill Records to release his first album, No Words, in 1994. The song "Rocket To The Moon" from that album was the first solo instrumental song ever to be ranked on Billboard's charts. Four of his albums (By Heart, Picture This, The Gift, and Destiny) have all sold over 500,000 copies, qualifying them as gold records in the United States.
Brickman writes a wide variety of music. Besides his piano compositions and love songs, he has also created arrangements of other songs. Several of his albums feature arrangements of children's music; he has produced two Christmas-themed albums The Gift (1997) and Peace (2003); and his 2005 album Grace concentrates on arrangements of well-known Christian music.
His music career started when he was nineteen, when Jim Henson hired him to write tunes for Sesame Street. He was also hired to write commercial jingles while in college.
Brickman signed with Windham Hill Records to release his first album, No Words, in 1994. The song "Rocket To The Moon" from that album was the first solo instrumental song ever to be ranked on Billboard's charts. Four of his albums (By Heart, Picture This, The Gift, and Destiny) have all sold over 500,000 copies, qualifying them as gold records in the United States.
Brickman writes a wide variety of music. Besides his piano compositions and love songs, he has also created arrangements of other songs. Several of his albums feature arrangements of children's music; he has produced two Christmas-themed albums The Gift (1997) and Peace (2003); and his 2005 album Grace concentrates on arrangements of well-known Christian music.
Paganini
Niccolò Paganini (27 October 1782 – 27 May 1840) was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. His caprice in A minor, Op. 1 No. 24 is among his best known of compositions, and serves as inspiration for many prominent artists.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
William Bradbury
He was born on October 6, 1816 in York, Maine where his father was the leader of a church choir. He had a brother, Edward G. Bradbury.
He moved with his parents to Boston and met Lowell Mason, and by 1834 was known as an organist. In 1840, he began teaching in Brooklyn, New York. In 1847 he went to Germany, where he studied harmony, composition, and vocal and instrumental music with the best masters.
In 1854, he started the Bradbury Piano Company, with his brother, Edward G. Bradbury in New York City. William Bradbury is best known as a composer and publisher of a series of musical collections for choirs and schools. He was the author and compiler of fifty-nine books starting in 1841.
He moved with his parents to Boston and met Lowell Mason, and by 1834 was known as an organist. In 1840, he began teaching in Brooklyn, New York. In 1847 he went to Germany, where he studied harmony, composition, and vocal and instrumental music with the best masters.
In 1854, he started the Bradbury Piano Company, with his brother, Edward G. Bradbury in New York City. William Bradbury is best known as a composer and publisher of a series of musical collections for choirs and schools. He was the author and compiler of fifty-nine books starting in 1841.
Frank Mills
Frank Mills (born June 27, 1942), is a Canadian pianist and recording artist, best known for his solo instrumental hit "Music Box Dancer".
Born in Quebec, Mills began his career as a member of The Bells, a group in which he was a member from 1970 to 1972. He performed piano for the band, whose best-known hit was "Stay Awhile" (1971). After leaving The Bells in 1972, Mills began a solo career.
His first solo efforts hardly made a dent in the music charts, although his 1972 single "Love Me, Love Me, Love" reached as high as #46 on the Billboard Hot 100 and #8 on Billboard's Easy Listening chart and a cover of Ricky Nelson's "Poor Little Fool" was also successful in Canada (both songs featured Mills singing as well as playing piano).
Frank released an album in 1974 that featured "Music Box Dancer", but it was not a hit initially. When Frank re-signed with Polydor Records Canada in 1978, the label released a new song as a single, with "Music Box Dancer" on the B-side. The single was sent to easy listening stations in Canada, but a copy was sent in error to CFRA-AM, a pop station in Ottawa. The program director played the A-side and couldn't figure out why it had been sent to his station, so he played the B-side to see if the record was mistakenly marked. He liked "Music Box Dancer" and added it to his station's playlist, turning the record into a Canadian hit. Iconic Ottawa Valley radio personality Dave "50,000" Watts gave the record extensive airplay on the station. The album went gold in Canada, which prompted Polydor in the US to release the album and single. Both the single and album were hits. The single reached #3 on the Billboard Hot 100 and #4 on the Billboard Easy Listening chart, while the album reached #21 on the Billboard Top Album chart and also went gold.
It was Mills' only U.S. Top 40 hit; the follow-up, another similarly catchy piano instrumental titled "Peter Piper", peaked at #48 on the Billboard Hot 100 and at #6 on the Billboard Adult Contemporary chart. Frank managed one final Adult Contemporary chart entry, "Happy Song", which peaked at #41 at the beginning of 1981.
Mills won two Juno Awards in 1980 for "Peter Piper", one for Composer of the Year and one for Instrumental Artist of the Year. He again won in the latter category in 1981.
He continued to release albums until the early 1990s, but has now retired from the music business.
Born in Quebec, Mills began his career as a member of The Bells, a group in which he was a member from 1970 to 1972. He performed piano for the band, whose best-known hit was "Stay Awhile" (1971). After leaving The Bells in 1972, Mills began a solo career.
His first solo efforts hardly made a dent in the music charts, although his 1972 single "Love Me, Love Me, Love" reached as high as #46 on the Billboard Hot 100 and #8 on Billboard's Easy Listening chart and a cover of Ricky Nelson's "Poor Little Fool" was also successful in Canada (both songs featured Mills singing as well as playing piano).
Frank released an album in 1974 that featured "Music Box Dancer", but it was not a hit initially. When Frank re-signed with Polydor Records Canada in 1978, the label released a new song as a single, with "Music Box Dancer" on the B-side. The single was sent to easy listening stations in Canada, but a copy was sent in error to CFRA-AM, a pop station in Ottawa. The program director played the A-side and couldn't figure out why it had been sent to his station, so he played the B-side to see if the record was mistakenly marked. He liked "Music Box Dancer" and added it to his station's playlist, turning the record into a Canadian hit. Iconic Ottawa Valley radio personality Dave "50,000" Watts gave the record extensive airplay on the station. The album went gold in Canada, which prompted Polydor in the US to release the album and single. Both the single and album were hits. The single reached #3 on the Billboard Hot 100 and #4 on the Billboard Easy Listening chart, while the album reached #21 on the Billboard Top Album chart and also went gold.
It was Mills' only U.S. Top 40 hit; the follow-up, another similarly catchy piano instrumental titled "Peter Piper", peaked at #48 on the Billboard Hot 100 and at #6 on the Billboard Adult Contemporary chart. Frank managed one final Adult Contemporary chart entry, "Happy Song", which peaked at #41 at the beginning of 1981.
Mills won two Juno Awards in 1980 for "Peter Piper", one for Composer of the Year and one for Instrumental Artist of the Year. He again won in the latter category in 1981.
He continued to release albums until the early 1990s, but has now retired from the music business.
Giacomo Carissimi
Giacomo Carissimi (Italian pronunciation: (About this soundlisten); (also called Gian Giacomo Carissimi) baptized 18 April 1605 – 12 January 1674) was an Italian composer and music teacher. He is one of the most celebrated masters of the early Baroque or, more accurately, the Roman School of music. Carissimi established the characteristic features of the Latin oratorio and was a prolific composer of masses, motets and cantatas. He was highly influential in musical developments in north European countries through his pupils, like Kerll in Germany and Charpentier in France, and the wide dissemination of his music.
Van Dik Hout
Van Dik Hout are a Dutch pop group from Den Helder in the north of the Netherlands. They formed in the late 1980s as a school band, but moved later to Amsterdam where they rechristened themselves into Van Dik Hout.
Bill Evans
William John Evans, known as Bill Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist. His use of impressionist harmony, inventive interpretation of traditional jazz repertoire, and trademark rhythmically independent, "singing" melodic lines influenced a generation of pianists, including Chick Corea, Herbie Hancock, John Taylor, Steve Kuhn, Don Friedman, Denny Zeitlin, Bobo Stenson and Keith Jarrett, as well as guitarists Lenny Breau and Pat Metheny. The music of Bill Evans continues to inspire younger pianists like Marcin Wasilewski, Fred Hersch, Ray Reach, Bill Charlap, Lyle Mays, Eliane Elias and arguably Brad Mehldau, early in his career.
Evans is an inductee of the Down Beat Jazz Hall of Fame.
Evans is an inductee of the Down Beat Jazz Hall of Fame.
Debussy
Achille-Claude Debussy (August 22, 1862 – March 25, 1918) was a French composer. Along with Maurice Ravel, he is considered one of the most prominent figures working within the field of Impressionist music, though he himself intensely disliked the term when applied to his compositions. Debussy was not only among the most important of all French composers but also was a central figure in all European music at the turn of the twentieth century.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Koji Kondo
Koji Kondo (近藤浩治 Kondō Kōji?, born August 13, 1960) is a Japanese video game composer and sound director who has been employed at Nintendo since 1984. He is best known for scoring numerous titles in the Mario and The Legend of Zelda series.
The Turtles
The Turtles are a U.S. rock group led by vocalists Howard Kaylan and Mark Volman. The band became notable for several Top 40 hits beginning with its cover version of Bob Dylan's "It Ain't Me Babe" in 1965. The group scored its biggest and best-known hit in 1967 with the song "Happy Together".
Richard Galliano
Richard Galliano is a French accordionist of Italian heritage. Date of birth: December 12, 1950 (68 years old), Cannes, France Movies: Richard Galliano: Tangaria Quartet, MORE Awards: NAACP Image Award for Best Jazz Album
Colbie Caillat
Colbie Marie Caillat (born May 28, 1985 in Newbury Park, California) is an American pop singer-songwriter and guitarist from Malibu, California. Her father, Ken Caillat, co-produced Fleetwood Mac's Rumours and Tusk albums; Caillat recalls being around the likes of Mick Fleetwood and John McVie as a child.
The popularity of Caillat's MySpace profile led her to become the number-one unsigned singer in her genre for four months. Her popularity on the social network was partially due to her song "Bubbly," and the songs on her profile have been played more than forty-two million times (as of May 31, 2008). For the week of July 17, 2007, "Bubbly" was featured on the iTunes Store as the free "Single of the Week". The promotion coincided with the release of Coco, her debut studio album. Caillat was also spotlighted by Rhapsody during the 2007 Black Friday Sale at Best Buy.
According to her MySpace profile, Caillat was first inspired to start singing at age 11 when she first heard the Fugees' 1996 version of the song "Killing Me Softly", made famous by Roberta Flack in 1973. Her MySpace profile also states that, though trained at piano from an early age, Caillat did not begin playing guitar until age nineteen. She also auditioned at least once for the television show American Idol, but never made it to the Hollywood rounds.
In May 2008, Caillat recorded a duet with Jason Mraz, called "Lucky," on his album, We Sing, We Dance, We Steal Things. The same month, Caillat recorded a cover of the song "Kiss the Girl" from The Little Mermaid for Disney's DisneyMania vol. 6 CD.
Caillat is currently shooting another music video in Hawaii for her song "The Little Things."
After touring with The Goo Goo Dolls and Lifehouse in 2007, she is now the supporting act for John Mayer in his 2008 Summer Tour.
The popularity of Caillat's MySpace profile led her to become the number-one unsigned singer in her genre for four months. Her popularity on the social network was partially due to her song "Bubbly," and the songs on her profile have been played more than forty-two million times (as of May 31, 2008). For the week of July 17, 2007, "Bubbly" was featured on the iTunes Store as the free "Single of the Week". The promotion coincided with the release of Coco, her debut studio album. Caillat was also spotlighted by Rhapsody during the 2007 Black Friday Sale at Best Buy.
According to her MySpace profile, Caillat was first inspired to start singing at age 11 when she first heard the Fugees' 1996 version of the song "Killing Me Softly", made famous by Roberta Flack in 1973. Her MySpace profile also states that, though trained at piano from an early age, Caillat did not begin playing guitar until age nineteen. She also auditioned at least once for the television show American Idol, but never made it to the Hollywood rounds.
In May 2008, Caillat recorded a duet with Jason Mraz, called "Lucky," on his album, We Sing, We Dance, We Steal Things. The same month, Caillat recorded a cover of the song "Kiss the Girl" from The Little Mermaid for Disney's DisneyMania vol. 6 CD.
Caillat is currently shooting another music video in Hawaii for her song "The Little Things."
After touring with The Goo Goo Dolls and Lifehouse in 2007, she is now the supporting act for John Mayer in his 2008 Summer Tour.
Nobuo Uematsu
Nobuo Uematsu (植松伸夫 Uematsu Nobuo?, born March 21, 1959) is a Japanese video game composer and musician, best known for scoring the majority of titles in the Final Fantasy series. He is regarded as one of the most famous and respected composers in the video game community. Uematsu is a self-taught musician; he began to play the piano at the age of eleven or twelve, with Elton John as his biggest influence.
Uematsu joined Square (later Square Enix) in 1985, where he met Final Fantasy creator Hironobu Sakaguchi. They have worked together on numerous titles, most notably the games in the Final Fantasy series. After nearly 20 years in the company, he left Square Enix in 2004 and founded his own company called Smile Please, as well as the music production company Dog Ear Records. He has since composed music as a freelancer for video games primarily developed by Square Enix and Sakaguchi's development studio Mistwalker.
A handful of soundtracks and arranged albums of Uematsu's game scores have been released. Pieces from his video game works have been performed in concerts worldwide, and numerous Final Fantasy concerts have also been held. He has worked with Grammy Award-winning conductor Arnie Roth on several of these concerts. In 2002, he formed a rock band with colleagues Kenichiro Fukui and Tsuyoshi Sekito called The Black Mages, in which Uematsu plays the keyboard. The band plays arranged rock versions of Uematsu's Final Fantasy compositions.
Uematsu joined Square (later Square Enix) in 1985, where he met Final Fantasy creator Hironobu Sakaguchi. They have worked together on numerous titles, most notably the games in the Final Fantasy series. After nearly 20 years in the company, he left Square Enix in 2004 and founded his own company called Smile Please, as well as the music production company Dog Ear Records. He has since composed music as a freelancer for video games primarily developed by Square Enix and Sakaguchi's development studio Mistwalker.
A handful of soundtracks and arranged albums of Uematsu's game scores have been released. Pieces from his video game works have been performed in concerts worldwide, and numerous Final Fantasy concerts have also been held. He has worked with Grammy Award-winning conductor Arnie Roth on several of these concerts. In 2002, he formed a rock band with colleagues Kenichiro Fukui and Tsuyoshi Sekito called The Black Mages, in which Uematsu plays the keyboard. The band plays arranged rock versions of Uematsu's Final Fantasy compositions.
Nikolay Afanasyev
Nikolay Yakovlevich Afanasyev was an Imperial Russian violin virtuoso and composer. His memoirs 'Vospominaniya' appeared in 1890, and recorded his experiences as a touring musician, as part of a panorama of Russian musical life during the mid 19th century.
Laurentis Mahairitsas
Lavrentis Machairitsas (Greek: Λαυρέντης Μαχαιρίτσας; 5 November 1956 – 9 September 2019) was a Greek rock musician from Volos, Thessaly, Greece.Machairitsas was born in Volos and began taking piano lessons at the age of six. These lessons lasted a year. At the age of nine he bought his first record, Help! by the Beatles. Three years later, he discovered Revolver by the Beatles.His first job was at a record store, but because of his lack of punctuality he was fired. He disliked school, and after he started a fight with one of his teachers, he was expelled and excluded from all high schools. He went through countless jobs and served in the army for 14 months.
Venanzio Cellitti
Venanzio Cellitti. Performers, computer.. Composer.