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Phil Collins
Philip David Charles Collins, LVO (born 30 January 1951 Chiswick, London) is an English singer-songwriter, drummer and actor best known as the lead singer and drummer of English progressive rock group Genesis and as a Grammy and Academy Award-winning solo artist. He has also appeared in several films.
Collins sang the lead vocals on eight American chart-toppers between 1984 and 1989; seven as a solo artist and one with Genesis. His singles, often dealing with lost love, ranged from the drum-heavy "In the Air Tonight", to the dance pop of "Sussudio", to the political statements of his most successful song, "Another Day In Paradise". His international popularity transformed Genesis from a progressive rock group to a regular on the pop charts and an early MTV mainstay. Collins' professional career began as a drummer, first with obscure rock group Flaming Youth and then more famously with Genesis. In Genesis, Collins originally supplied backing vocals for front man Peter Gabriel, singing lead on only two songs: "For Absent Friends" from 1971's Nursery Cryme album and "More Fool Me" from Selling England by the Pound, which was released in 1973. On Gabriel's departure in 1975, Collins became the group's lead singer. As the decade closed, Genesis's first international hit, "Follow You, Follow Me", demonstrated a drastic change from the band's early years. His concurrent solo career, heavily influenced by his personal life, brought both him and Genesis commercial success. According to Atlantic Records, Collins' total worldwide sales as a solo artist, as of 2002, were 150 million.
Collins sang the lead vocals on eight American chart-toppers between 1984 and 1989; seven as a solo artist and one with Genesis. His singles, often dealing with lost love, ranged from the drum-heavy "In the Air Tonight", to the dance pop of "Sussudio", to the political statements of his most successful song, "Another Day In Paradise". His international popularity transformed Genesis from a progressive rock group to a regular on the pop charts and an early MTV mainstay. Collins' professional career began as a drummer, first with obscure rock group Flaming Youth and then more famously with Genesis. In Genesis, Collins originally supplied backing vocals for front man Peter Gabriel, singing lead on only two songs: "For Absent Friends" from 1971's Nursery Cryme album and "More Fool Me" from Selling England by the Pound, which was released in 1973. On Gabriel's departure in 1975, Collins became the group's lead singer. As the decade closed, Genesis's first international hit, "Follow You, Follow Me", demonstrated a drastic change from the band's early years. His concurrent solo career, heavily influenced by his personal life, brought both him and Genesis commercial success. According to Atlantic Records, Collins' total worldwide sales as a solo artist, as of 2002, were 150 million.
Don Moen
Don Moen (born June 29, 1950 in Minneapolis, Minnesota) is an American singer-songwriter, pastor, and producer of Christian worship music.
Moen produced 11 volumes for the Hosanna! Music series of worship albums. His first album under his own name, Worship with Don Moen, was released in 1992. His music has total global sales of over five million units. He worked for Integrity Media for over 20 years, serving as creative director and president of Integrity Music, president of Integrity Label Group, and an executive producer of Integrity Music albums. He left Integrity Media in 2008 to start a new initiative, The Don Moen Company. Moen received a Dove Award for his work on the musical God with Us in addition to amassing nine nominations for his songs. Moen is also a prolific songwriter, having worked with Claire Cloninger, Paul Overstreet, Martin J. Nystrom, Randy Rothwell, Ron Kenoly, Bob Fitts, Debbye Graafsma, Paul Baloche, Tom Brooks, among many others. He has also worked with talented musicians, Justo Almario, Abraham Laboriel, Alex Acuna, and Carl Albrecht. His name is associated with some of the most well-known songs in Contemporary Christian Music. He was a student at Oral Roberts University. He lives in Nashville, Tennessee, with his wife Laura and their five children.
Moen produced 11 volumes for the Hosanna! Music series of worship albums. His first album under his own name, Worship with Don Moen, was released in 1992. His music has total global sales of over five million units. He worked for Integrity Media for over 20 years, serving as creative director and president of Integrity Music, president of Integrity Label Group, and an executive producer of Integrity Music albums. He left Integrity Media in 2008 to start a new initiative, The Don Moen Company. Moen received a Dove Award for his work on the musical God with Us in addition to amassing nine nominations for his songs. Moen is also a prolific songwriter, having worked with Claire Cloninger, Paul Overstreet, Martin J. Nystrom, Randy Rothwell, Ron Kenoly, Bob Fitts, Debbye Graafsma, Paul Baloche, Tom Brooks, among many others. He has also worked with talented musicians, Justo Almario, Abraham Laboriel, Alex Acuna, and Carl Albrecht. His name is associated with some of the most well-known songs in Contemporary Christian Music. He was a student at Oral Roberts University. He lives in Nashville, Tennessee, with his wife Laura and their five children.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Gerardo Matos Rodríguez
Gerardo Hernán Matos Rodríguez (March 28, 1897 – April 25, 1948) Montevideo, Uruguay, also known as Becho, was a Uruguayan musician, composer and journalist. Becho was not attributed to this Uruguayan musician. The term Becho is given to another Uruguayan violinist. A song is written about him and sung by Alfredo Zitarrosa: Carlos Julio Eizmendi Uruguayan Violinist.
Chris Cornell
Christopher John Cornell (né Boyle; July 20, 1964 – May 18, 2017) was an American singer, songwriter, and musician best known as the lead vocalist and rhythm guitarist for the rock bands Soundgarden and Audioslave. He also had a solo career and contributed to soundtracks. Cornell was also the founder and frontman of Temple of the Dog, a one-off tribute band dedicated to his late friend Andrew Wood.
Francisco de Penalosa
Francisco de Peñalosa (c. 1470 – April 1, 1528) was a Spanish composer of the middle Renaissance.
He was born in Talavera de la Reina in the province of Toledo. He spent most of his career in Seville, serving as the maestro di capilla, though he also spent time in Burgos, and three years in Rome at the papal chapel (1518–1521). He died in Seville.Peñalosa was one of the most famous Spanish composers of the generation before Cristóbal de Morales, and his compositions were highly regarded at the time. Unfortunately for him, his music was not widely distributed; he did not benefit from the invention of printing, since he mostly remained in Spain, away from cities such as Venice and Antwerp which were the first centers of printed music. Later generations of Spanish composers—Guerrero, Morales, Victoria—went to Italy for parts of their careers, where their compositions were printed and were as widely distributed as the music of the Franco-Flemish composers who dominated music in Europe in the 16th century.
He was born in Talavera de la Reina in the province of Toledo. He spent most of his career in Seville, serving as the maestro di capilla, though he also spent time in Burgos, and three years in Rome at the papal chapel (1518–1521). He died in Seville.Peñalosa was one of the most famous Spanish composers of the generation before Cristóbal de Morales, and his compositions were highly regarded at the time. Unfortunately for him, his music was not widely distributed; he did not benefit from the invention of printing, since he mostly remained in Spain, away from cities such as Venice and Antwerp which were the first centers of printed music. Later generations of Spanish composers—Guerrero, Morales, Victoria—went to Italy for parts of their careers, where their compositions were printed and were as widely distributed as the music of the Franco-Flemish composers who dominated music in Europe in the 16th century.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
The Chantays
The Chantays, sometimes credited as Chantay's, is an American surf rock band from Orange County, California, United States, known for the hit instrumental "Pipeline". Their music combines electronic keyboards and surf guitar, creating a unique ghostly sound.
Ludwig van Beethoven
Ludwig van Beethoven (/ˈlʊdvɪɡ væn ˈbeɪt(h)oʊvən/ (About this soundlisten); German: (About this soundlisten); baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the classical and romantic eras in classical music, he remains one of the most recognized and influential musicians of this period, and is considered to be one of the greatest composers of all time.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Evanesence
Evanescence (/ˌɛvəˈnɛsns, ˌiːvə-/) is an American rock band founded in Little Rock, Arkansas, in 1995 by singer and pianist Amy Lee and guitarist Ben Moody. After recording independent albums, the band released their first full-length album, Fallen, on Wind-up Records in 2003. Fallen sold more than 17 million copies worldwide and helped the band win two Grammy Awards out of six nominations. A year later, Evanescence released their first live album, Anywhere but Home, which sold more than one million copies worldwide. In 2006, the band released their second studio album, The Open Door, which sold more than five million copies
Ella Fitzgerald
Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American jazz singer sometimes referred to as the First Lady of Song, Queen of Jazz, and Lady Ella. She was noted for her purity of tone, impeccable diction, phrasing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing. After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career.
Paradise Lunch
Fusing jazz, rock, and soul into a frenzied but melodic chaos, Paradise Lunch is an all-female jazz band best known for their track Gun's & Roses featured in Baccano!, a hit anime series back in 2007. They soon released their debut EP and gained strong support especially among anime fans as they sold more than 10,000 copies in Japan alone. On March 2010 they released their new album Here's Paradise Lunch, featuring new versions of Gun's and Roses and more mature and organic jazz sounds, as well as new members.
Julián Arcas
Julián Arcas was a Spanish classical guitarist and composer, who influenced Francisco Tárrega and Antonio de Torres. He was "one of the most important figures in Spanish music in the 19th century".
Tommy Igoe
Tommy Igoe was born to a very musical family. His father, Sonny Igoe, had been making a name for himself as an educator and drummer since the early be-bop era, playing with guys like Benny Goodman and Woody Herman. Knowing the shortcomings that came from working in the music business, Sonny Igoe tried steering Tommy Igoe in a different direction. However, growing around music and having a father as a drummer quickly shaped little Tommy Igoe’s likings. Before he could even walk, Tommy Igoe was already using knitting needles to drum on everything around him.
Nhac Viet
Traditional Vietnamese music encompasses a large umbrella of Vietnamese music from antiquity to present times, and can also encompass multiple groups, such as those from Vietnam's ethnic minority tribes
Néstor Guestrin
Nestor Guestrin Musical artist Songs Valse venezolano R.Borges Quiebres Sonata Antonio Soler
Julita Manik
Julita Manik Musical artist Songs Kasih Setiamu Memulihkan Indah Bersamamu Tuhan Karna Hanya Engkau
JJ Lin
Wayne Lim Junjie, born 27 March 1981, better known by his stage name JJ Lin, is a Singaporean singer, songwriter, record producer and actor. Lin launched his musical career by releasing his debut album Music Voyager.
Traditional
Irving Berlin
Irving Berlin (May 11, 1888 – September 22, 1989) was a Russian-born American composer and lyricist, and one of the most prolific American songwriters in history. Berlin was one of the few Tin Pan Alley/Broadway songwriters who wrote both lyrics and music for his songs. Although he never learned to read music beyond a rudimentary level, with the help of various uncredited musical assistants or collaborators, he eventually composed over 3,000 songs, many of which (e.g. "God Bless America", "White Christmas", "Anything You Can Do", "There's No Business Like Show Business") left an indelible mark on music and culture worldwide. He composed seventeen film scores and twenty-one Broadway scores.
Edward Elgar
Sir Edward William Elgar, 1st Baronet OM, GCVO (2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.
Chopin
Frédéric Chopin (1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Yiruma
Yiruma (born February 15 1978, Seoul, Korea) is a South Korean piano music composer. He is married to Son Hye-im.
Yiruma is well-known throughout the world, and his albums are sold all over Asia, as well as the United States and Europe. His most famous pieces are "Kiss the Rain", and also "River Flows in You". These pieces are widely mistaken for being associated with the movie Twilight. Although he formerly held dual citizenship as a citizen of the United Kingdom and South Korea, in July 2006 he gave up his British citizenship and entered the Republic of Korea Navy to begin his military service, which is compulsory for all male South Koreans. He has lived in Osaka, Japan for 5 years to promote album sales before giving up his dual citizenship.
Yiruma is well-known throughout the world, and his albums are sold all over Asia, as well as the United States and Europe. His most famous pieces are "Kiss the Rain", and also "River Flows in You". These pieces are widely mistaken for being associated with the movie Twilight. Although he formerly held dual citizenship as a citizen of the United Kingdom and South Korea, in July 2006 he gave up his British citizenship and entered the Republic of Korea Navy to begin his military service, which is compulsory for all male South Koreans. He has lived in Osaka, Japan for 5 years to promote album sales before giving up his dual citizenship.
Claude Bolling
Claude Bolling (born 10 April 1930), is a renowned French jazz pianist, composer, arranger, and occasional actor.
He was born in Cannes, studied at the Nice Conservatory, then in Paris. A child prodigy, by age 14 he was playing jazz piano professionally, with Lionel Hampton, Roy Eldridge, and Kenny Clarke. Bolling's books on jazz technique show that he did not delve far beyond bebop into much avant garde jazz. He was a major part of the traditional jazz revival in the late 1960s, and he became friends with Oscar Peterson.
He has written music for over one hundred films, mostly French, starting with the score for a 1957 documentary about the Cannes Film Festival, and including the films Borsalino (1970), and California Suite (1978).
Bolling is also noted for a series of "crossover" collaborations with classical musicians. His Suite for Flute and Jazz Piano Trio with Jean-Pierre Rampal, a mix of Baroque elegance with modern swing, has been a top seller for many years, and was followed up by other works in the same vein. It was particularly popular in the United States, at the top of the hit parade for two years after its release and on billboard top 40 for 530 weeks, roughly ten years.
Following his work with Rampal, Bolling went on to work with many other musicians, from different genres, including Alexandre Lagoya, Pinchas Zukerman, Maurice André, and Yo-Yo Ma. He has also worked with, and performed tributes to many others, including Lionel Hampton, Duke Ellington, Stéphane Grappelli, Django Reinhardt, Oscar Peterson.
He was born in Cannes, studied at the Nice Conservatory, then in Paris. A child prodigy, by age 14 he was playing jazz piano professionally, with Lionel Hampton, Roy Eldridge, and Kenny Clarke. Bolling's books on jazz technique show that he did not delve far beyond bebop into much avant garde jazz. He was a major part of the traditional jazz revival in the late 1960s, and he became friends with Oscar Peterson.
He has written music for over one hundred films, mostly French, starting with the score for a 1957 documentary about the Cannes Film Festival, and including the films Borsalino (1970), and California Suite (1978).
Bolling is also noted for a series of "crossover" collaborations with classical musicians. His Suite for Flute and Jazz Piano Trio with Jean-Pierre Rampal, a mix of Baroque elegance with modern swing, has been a top seller for many years, and was followed up by other works in the same vein. It was particularly popular in the United States, at the top of the hit parade for two years after its release and on billboard top 40 for 530 weeks, roughly ten years.
Following his work with Rampal, Bolling went on to work with many other musicians, from different genres, including Alexandre Lagoya, Pinchas Zukerman, Maurice André, and Yo-Yo Ma. He has also worked with, and performed tributes to many others, including Lionel Hampton, Duke Ellington, Stéphane Grappelli, Django Reinhardt, Oscar Peterson.
Jenni Vartiainen
Jenni Mari Vartiainen is a Finnish pop singer. Before her professional musical endeavours, she was a figure skater in her teenage years and attended the Kuopio Senior High of Music and Dance.
Richard Clayderman
Richard Clayderman (born Philippe Pagès on December 28, 1953, Paris) is a French pianist who has released numerous albums including the original compositions by Paul de Senneville and Olivier Toussaint, and instrumental renditions of popular music, rearrangements of movie sound tracks, ethnic music, and easy-listening arrangements of most popular works of classical music.
In 1976 he was invited from Olivier Toussaint a French record producer and his partner Paul de Senneville to record a gentle piano ballad. Paul de Senneville had composed this ballad as a tribute to his new born daughter “Adeline”. The 23 year old Philippe Pagès was auditioned along with 20 other pianists. They liked his special and soft touch on the keyboards combined with his good looks and fine personality, and finally he got the job.
Philippe Pagès' name was changed to Richard Clayderman (he adopted his great-grandmother's last name to avoid mispronunciation of his real name outside France), and the single took off, selling an astonishing 22 million copies in 38 countries. It was called Ballade pour Adeline.
In 1976 he was invited from Olivier Toussaint a French record producer and his partner Paul de Senneville to record a gentle piano ballad. Paul de Senneville had composed this ballad as a tribute to his new born daughter “Adeline”. The 23 year old Philippe Pagès was auditioned along with 20 other pianists. They liked his special and soft touch on the keyboards combined with his good looks and fine personality, and finally he got the job.
Philippe Pagès' name was changed to Richard Clayderman (he adopted his great-grandmother's last name to avoid mispronunciation of his real name outside France), and the single took off, selling an astonishing 22 million copies in 38 countries. It was called Ballade pour Adeline.
Puccini
Giacomo Antonio Domenico Michele Secondo Maria Puccini (December 22, 1858 – November 29, 1924) was an Italian composer whose operas, including La Bohème, Tosca, and Madama Butterfly, are among the most frequently performed in the standard repertoire. Some of his arias, such as "O Mio Babbino Caro" from Gianni Schicchi, "Che gelida manina" from La Bohème, and "Nessun Dorma" from Turandot, have become part of popular culture.
The subject of Puccini's style is one that has been long avoided by musicologists; this avoidance can perhaps be attributed to the perception that his work, with its emphasis on melody and evident popular appeal, lacked "seriousness" (a similar prejudice beset Rachmaninoff during his lifetime). Despite the place Puccini clearly occupies in the popular tradition of Verdi, his style of orchestration also shows the strong influence of Wagner, matching specific orchestral configurations and timbres to different dramatic moments. His operas contain an unparalleled manipulation of orchestral colors, with the orchestra often creating the scene’s atmosphere.
The structures of Puccini's works are also noteworthy. While it is to an extent possible to divide his operas into arias or numbers (like Verdi's), his scores generally present a very strong sense of continuous flow and connectivity, perhaps another sign of Wagner’s influence. Like Wagner, Puccini used leitmotifs to connote characters (or combinations of characters). This is apparent in Tosca, where the three chords which signal the beginning of the opera are used throughout to announce Scarpia. Several motifs are also linked to Mimi and the Bohemians in La Bohème and to Cio-Cio-San's eventual suicide in Butterfly. Unlike Wagner, though, Puccini's motifs are static: where Wagner's motifs develop into more complicated figures as the characters develop, Puccini's remain more or less identical throughout the opera (in this respect anticipating the themes of modern musical theatre).
The subject of Puccini's style is one that has been long avoided by musicologists; this avoidance can perhaps be attributed to the perception that his work, with its emphasis on melody and evident popular appeal, lacked "seriousness" (a similar prejudice beset Rachmaninoff during his lifetime). Despite the place Puccini clearly occupies in the popular tradition of Verdi, his style of orchestration also shows the strong influence of Wagner, matching specific orchestral configurations and timbres to different dramatic moments. His operas contain an unparalleled manipulation of orchestral colors, with the orchestra often creating the scene’s atmosphere.
The structures of Puccini's works are also noteworthy. While it is to an extent possible to divide his operas into arias or numbers (like Verdi's), his scores generally present a very strong sense of continuous flow and connectivity, perhaps another sign of Wagner’s influence. Like Wagner, Puccini used leitmotifs to connote characters (or combinations of characters). This is apparent in Tosca, where the three chords which signal the beginning of the opera are used throughout to announce Scarpia. Several motifs are also linked to Mimi and the Bohemians in La Bohème and to Cio-Cio-San's eventual suicide in Butterfly. Unlike Wagner, though, Puccini's motifs are static: where Wagner's motifs develop into more complicated figures as the characters develop, Puccini's remain more or less identical throughout the opera (in this respect anticipating the themes of modern musical theatre).
Ludovico Einaudi
Ludovico Einaudi (born 23 November 1955) is an Italian contemporary classical music composer and pianist.
Although Einaudi would prefer not to be labeled as any particular type of genre, he is sometimes referred to as Minimalist. This is despite his music not sharing the key musical properties associated with minimalism. This may be due to his music possessing sparse orchestration and simplistic melodies that some may wish to refer to as 'minimalist' despite not belonging to the musical movement of Minimalism.
Einaudi's own words on the matter reflect this viewpoint, with Einaudi referring to Minimalism as "elegance and openness", despite its more formal definition as a musical movement to which he arguably does not belong.
Although Einaudi would prefer not to be labeled as any particular type of genre, he is sometimes referred to as Minimalist. This is despite his music not sharing the key musical properties associated with minimalism. This may be due to his music possessing sparse orchestration and simplistic melodies that some may wish to refer to as 'minimalist' despite not belonging to the musical movement of Minimalism.
Einaudi's own words on the matter reflect this viewpoint, with Einaudi referring to Minimalism as "elegance and openness", despite its more formal definition as a musical movement to which he arguably does not belong.
Richard Wagner
Wilhelm Richard Wagner (pronounced /ˈvɑːɡnər/, German pronunciation: ; 22 May 1813 – 13 February 1883) was a German composer, conductor, theatre director and essayist, primarily known for his operas (or "music dramas", as they were later called). Wagner's compositions, particularly those of his later period, are notable for their complex texture, rich harmonies and orchestration, and the elaborate use of leitmotifs: musical themes associated with individual characters, places, ideas or plot elements. Unlike most other opera composers, Wagner wrote both the music and libretto for every one of his stage works. Famous extracts from his operas include the "Ride of the Valkyries" and the Bridal Chorus from Lohengrin, popularly known as the wedding march "Here Comes the Bride".
Initially establishing his reputation as a composer of works such as The Flying Dutchman and Tannhäuser which were in the romantic traditions of Weber and Meyerbeer, Wagner transformed operatic thought through his concept of the Gesamtkunstwerk ("total work of art"). This would achieve the synthesis of all the poetic, visual, musical and dramatic arts, and was announced in a series of essays between 1849 and 1852. Wagner realised this concept most fully in the first half of the monumental four-opera cycle Der Ring des Nibelungen. However, his thoughts on the relative importance of music and drama were to change again and he reintroduced some traditional operatic forms into his last few stage works including Die Meistersinger von Nürnberg.
Wagner pioneered advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, which greatly influenced the development of European classical music. His Tristan und Isolde is sometimes described as marking the start of modern music. Wagner's influence spread beyond music into philosophy, literature, the visual arts and theatre. He had his own opera house built, the Bayreuth Festspielhaus, which contained many novel design features. It was here that the Ring and Parsifal received their premieres and where his most important stage works continue to be performed today in an annual festival run by his descendants. Wagner's views on conducting were also highly influential. His extensive writings on music, drama and politics have all attracted extensive comment; not least for their frequently antisemitic content.
Wagner achieved all of this despite a life characterised, until his last decades, by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His pugnacious personality and often outspoken views on music, politics and society made him a controversial figure during his life. He has remained one to this day. The impact of his his ideas can be traced in many of the arts throughout the twentieth century.
Initially establishing his reputation as a composer of works such as The Flying Dutchman and Tannhäuser which were in the romantic traditions of Weber and Meyerbeer, Wagner transformed operatic thought through his concept of the Gesamtkunstwerk ("total work of art"). This would achieve the synthesis of all the poetic, visual, musical and dramatic arts, and was announced in a series of essays between 1849 and 1852. Wagner realised this concept most fully in the first half of the monumental four-opera cycle Der Ring des Nibelungen. However, his thoughts on the relative importance of music and drama were to change again and he reintroduced some traditional operatic forms into his last few stage works including Die Meistersinger von Nürnberg.
Wagner pioneered advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, which greatly influenced the development of European classical music. His Tristan und Isolde is sometimes described as marking the start of modern music. Wagner's influence spread beyond music into philosophy, literature, the visual arts and theatre. He had his own opera house built, the Bayreuth Festspielhaus, which contained many novel design features. It was here that the Ring and Parsifal received their premieres and where his most important stage works continue to be performed today in an annual festival run by his descendants. Wagner's views on conducting were also highly influential. His extensive writings on music, drama and politics have all attracted extensive comment; not least for their frequently antisemitic content.
Wagner achieved all of this despite a life characterised, until his last decades, by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His pugnacious personality and often outspoken views on music, politics and society made him a controversial figure during his life. He has remained one to this day. The impact of his his ideas can be traced in many of the arts throughout the twentieth century.
Alicia Keys
Alicia J. Augello-Cook (born January 25, 1981), and has won numerous awards, including eleven Grammy Awards, seventeen Billboard Music Awards, three American Music Awards.
Her debut album Songs in A Minor was a worldwide success, selling nearly 11 millions albums, and received five Grammy Awards in 2002, with Alicia winning Best New Artist and also Song of the Year for "Fallin'".
Her debut album Songs in A Minor was a worldwide success, selling nearly 11 millions albums, and received five Grammy Awards in 2002, with Alicia winning Best New Artist and also Song of the Year for "Fallin'".
Hoobastank
Hoobastank is an American alternative rock band best known for their 2004 hit "The Reason".
Hoobastank released their self-titled debut album in November 2001. The first single was "Crawling in the Dark" which was a breakthrough hit reaching #68 on the Billboard Hot 100, #3 on the Modern Rock chart, #7 on the Mainstream Rock chart and #1 on an MP3.com download chart in early 2002. The second single "Running Away" was even more successful reaching #44 on the Billboard Hot 100, #2 on the Modern Rock chart, #9 on the Mainstream Rock chart and #3 on the MP3.com download chart. The Hoobastank album went Platinum thanks to these hit singles and reached #25 on the Billboard 200 album charts and #1 on the Billboard Heatseeker chart.
Current members:
Doug Robb – Lead vocals and rhythm guitar
Dan Estrin – Lead guitar and backing vocals
Josh Moreau – Bass guitar
Chris Hesse – Drums and percussion
Hoobastank released their self-titled debut album in November 2001. The first single was "Crawling in the Dark" which was a breakthrough hit reaching #68 on the Billboard Hot 100, #3 on the Modern Rock chart, #7 on the Mainstream Rock chart and #1 on an MP3.com download chart in early 2002. The second single "Running Away" was even more successful reaching #44 on the Billboard Hot 100, #2 on the Modern Rock chart, #9 on the Mainstream Rock chart and #3 on the MP3.com download chart. The Hoobastank album went Platinum thanks to these hit singles and reached #25 on the Billboard 200 album charts and #1 on the Billboard Heatseeker chart.
Current members:
Doug Robb – Lead vocals and rhythm guitar
Dan Estrin – Lead guitar and backing vocals
Josh Moreau – Bass guitar
Chris Hesse – Drums and percussion
Andrew Lippa
Andrew Lippa (December 22, 1964) is an American composer, lyricist, book writer, performer, and producer. He is a resident artist at the Ars Nova Theater in New York City.
Schubert
Franz Peter Schubert (January 31, 1797 – November 19, 1828) was an Austrian composer. He wrote some 600 lieder, nine symphonies (including the famous "Unfinished Symphony"), liturgical music, operas, and a large body of chamber and solo piano music. He is particularly noted for his original melodic and harmonic writing.
While Schubert had a close circle of friends and associates who admired his work (including his teacher Antonio Salieri, and the prominent singer Johann Michael Vogl), wider appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. Interest in Schubert's work increased dramatically in the decades following his death and he is now widely considered to be one of the greatest composers in the Western tradition.
While he was clearly influenced by the Classical sonata forms of Beethoven and Mozart (his early works, among them notably the 5th Symphony, are particularly Mozartean), his formal structures and his developments tend to give the impression more of melodic development than of harmonic drama. This combination of Classical form and long-breathed Romantic melody sometimes lends them a discursive style: his 9th Symphony was described by Robert Schumann as running to "heavenly lengths". His harmonic innovations include movements in which the first section ends in the key of the subdominant rather than the dominant (as in the last movement of the Trout Quintet). Schubert's practice here was a forerunner of the common Romantic technique of relaxing, rather than raising, tension in the middle of a movement, with final resolution postponed to the very end.
While Schubert had a close circle of friends and associates who admired his work (including his teacher Antonio Salieri, and the prominent singer Johann Michael Vogl), wider appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. Interest in Schubert's work increased dramatically in the decades following his death and he is now widely considered to be one of the greatest composers in the Western tradition.
While he was clearly influenced by the Classical sonata forms of Beethoven and Mozart (his early works, among them notably the 5th Symphony, are particularly Mozartean), his formal structures and his developments tend to give the impression more of melodic development than of harmonic drama. This combination of Classical form and long-breathed Romantic melody sometimes lends them a discursive style: his 9th Symphony was described by Robert Schumann as running to "heavenly lengths". His harmonic innovations include movements in which the first section ends in the key of the subdominant rather than the dominant (as in the last movement of the Trout Quintet). Schubert's practice here was a forerunner of the common Romantic technique of relaxing, rather than raising, tension in the middle of a movement, with final resolution postponed to the very end.
Robert Volkmann
Friedrich Robert Volkmann, was a German composer. Date of birth: April 6, 1815, Lommatzsch, Germany Date and place of death: 30 October 1883, Budapest, Hungary
Brahms
Johannes Brahms (May 7, 1833 â April 3, 1897) was a German composer of the Romantic period. He was born in Hamburg and in his later years he settled in Vienna, Austria.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Georges Bizet
Georges Bizet (25 October 1838 – 3 June 1875) was a French composer and pianist of the Romantic era. He is best known for the opera Carmen.
Bizet was born at 26 rue de la Tour d'Auvergne in the 9th arrondissement of Paris in 1838. He was registered with the legal name Alexandre César Léopold Bizet, but he was baptised on 16 March 1840 with the first name Georges, and he was always known thereafter as Georges Bizet. His father Adolphe Armand Bizet (1810-86) was an amateur singer and composer, and his mother, Aimée Léopoldine Joséphine née Delsarte (1814-61), was the sister of the famous singing teacher François Delsarte.
He entered the Paris Conservatory of Music on 9 October 1848, a fortnight before his tenth birthday. His teachers there were Pierre Zimmermann (fugue and counterpoint; often assisted by his son-in-law Charles Gounod), Antoine François Marmontel (piano), François Benoist (organ) and, on Zimmermann's death, Fromental Halévy, whose daughter he himself later married. He won first prizes for organ and fugue in 1855 and completed his earliest compositions.
His first symphony, the Symphony in C, was written in November 1855, when he was seventeen, evidently as a student assignment. It was unknown to the world until 1933, when it was discovered in the archives of the Paris Conservatory library. Upon its first performance in 1935, it was immediately hailed as a junior masterwork and a welcome addition to the early Romantic period repertoire. The symphony bears a stylistic resemblance to the first symphony of Gounod, first played earlier in the same year, and which Bizet had arranged for two pianos although present-day listeners may discern a similarity to music of Franz Schubert, whose work was little known in France at the time the symphony was written.
In 1857, a setting of the one-act operetta Le docteur Miracle won him a share in a prize offered by Jacques Offenbach. He also won the music composition scholarship of the Prix de Rome, the conditions of which required him to study in Rome for three years. There, his talent developed as he wrote such works as the opera buffa Don Procopio (1858-59). There he also composed his only major sacred work, Te Deum (1858), which he submitted to the Prix Rodrigues competition, a contest for Prix de Rome winners only. Bizet failed to win the Prix Rodrigues, and the Te Deum score remained unpublished until 1971. He made two attempts to write another symphony in 1859, but destroyed the manuscripts in December of that year. Apart from this period in Rome, Bizet lived in the Paris area all his life.
Shortly after leaving Rome in July 1860, but while still touring in Italy, he had the idea of writing a symphony in which each of the four movements would be a musical evocation of a different Italian city – Rome, Venice, Florence and Naples. On hearing of his mother's serious illness he cut short his Italian travels and returned to Paris in September 1860; she died a year later. The Scherzo of the symphony was completed by November 1861, but it was not until 1866 that the first version of the whole symphony was written. He subjected it to a number of revisions through to 1871, but died before ever producing what he considered the definitive version. For this reason, the work is sometimes described as "unfinished", but this is an inaccurate description as it was fully scored. It was published in 1880 as the Roma Symphony.
Bizet was born at 26 rue de la Tour d'Auvergne in the 9th arrondissement of Paris in 1838. He was registered with the legal name Alexandre César Léopold Bizet, but he was baptised on 16 March 1840 with the first name Georges, and he was always known thereafter as Georges Bizet. His father Adolphe Armand Bizet (1810-86) was an amateur singer and composer, and his mother, Aimée Léopoldine Joséphine née Delsarte (1814-61), was the sister of the famous singing teacher François Delsarte.
He entered the Paris Conservatory of Music on 9 October 1848, a fortnight before his tenth birthday. His teachers there were Pierre Zimmermann (fugue and counterpoint; often assisted by his son-in-law Charles Gounod), Antoine François Marmontel (piano), François Benoist (organ) and, on Zimmermann's death, Fromental Halévy, whose daughter he himself later married. He won first prizes for organ and fugue in 1855 and completed his earliest compositions.
His first symphony, the Symphony in C, was written in November 1855, when he was seventeen, evidently as a student assignment. It was unknown to the world until 1933, when it was discovered in the archives of the Paris Conservatory library. Upon its first performance in 1935, it was immediately hailed as a junior masterwork and a welcome addition to the early Romantic period repertoire. The symphony bears a stylistic resemblance to the first symphony of Gounod, first played earlier in the same year, and which Bizet had arranged for two pianos although present-day listeners may discern a similarity to music of Franz Schubert, whose work was little known in France at the time the symphony was written.
In 1857, a setting of the one-act operetta Le docteur Miracle won him a share in a prize offered by Jacques Offenbach. He also won the music composition scholarship of the Prix de Rome, the conditions of which required him to study in Rome for three years. There, his talent developed as he wrote such works as the opera buffa Don Procopio (1858-59). There he also composed his only major sacred work, Te Deum (1858), which he submitted to the Prix Rodrigues competition, a contest for Prix de Rome winners only. Bizet failed to win the Prix Rodrigues, and the Te Deum score remained unpublished until 1971. He made two attempts to write another symphony in 1859, but destroyed the manuscripts in December of that year. Apart from this period in Rome, Bizet lived in the Paris area all his life.
Shortly after leaving Rome in July 1860, but while still touring in Italy, he had the idea of writing a symphony in which each of the four movements would be a musical evocation of a different Italian city – Rome, Venice, Florence and Naples. On hearing of his mother's serious illness he cut short his Italian travels and returned to Paris in September 1860; she died a year later. The Scherzo of the symphony was completed by November 1861, but it was not until 1866 that the first version of the whole symphony was written. He subjected it to a number of revisions through to 1871, but died before ever producing what he considered the definitive version. For this reason, the work is sometimes described as "unfinished", but this is an inaccurate description as it was fully scored. It was published in 1880 as the Roma Symphony.
Sade
Helen Folasade Adu CBE, known professionally as Sade Adu or simply Sade, is a British Nigerian singer, songwriter, and actress, known as the lead singer of her eponymous band.
James Last
James Last (German pronunciation: dʃeɪms lɑːst]; born Hans Last; 17 April 1929 – 9 June 2015), also known as Hansi, was a German composer and big band leader of the James Last Orchestra. Initially a jazz bassist (Last won the award for "best bassist" in Germany in each of the years 1950–1952), his trademark "happy music" made his numerous albums best-sellers in Germany and the United Kingdom, with 65 of his albums reaching the charts in the UK alone. His composition "Happy Heart" became an international success in interpretations by Andy Williams and Petula Clark.
Joe Satriani
Joseph Satriani (born July 15, 1956) is an American musician, composer, songwriter, and guitar teacher. Early in his career, Satriani worked as a guitar instructor, with many of his former students achieving fame, such as Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick; he then went on to have a successful solo music career. He is a 15-time Grammy Award nominee and has sold over 10 million albums, making him the biggest-selling instrumental rock guitarist of all time.
Miss Davis
Miss Davis (c. 1726 – after 1755) was an Irish singer, musician and composer, born in Dublin, Ireland. Her father was a harpsichord player, and her mother was a singer who promoted her daughter as a child prodigy. Miss Davis had her debut in London on 10 May 1745. She later wrote and performed her own songs, none of which survive.In 1755 the Dublin Journal published a notice that Miss Davis had retired from playing in public, but continued to teach ladies. She is thought to have died in Dublin.
Josef Suk
Josef Suk (4 January 1874 – 29 May 1935) was a Czech composer and violinist. He studied under Antonín Dvořák, whose daughter he married. Despite extensive musical training, his musical skill was often said to be largely inherited. Though he continued his lessons with Wihan another year after the completion of his schooling, Suk's greatest inspiration came from another of his teachers, Czech composer Antonín Dvořák.
Moris Resenthal
Moriz Rosenthal was a Polish pianist and composer. He was an outstanding pupil of Franz Liszt and a friend and colleague of some of the greatest musicians of his age, including Johannes Brahms, Johann Strauss, Anton Rubinstein, Hans von Bülow, Camille Saint-Saëns, Jules Massenet and Isaac Albéniz.
MBD
Murder by Death is an American five-piece indie rock band from Bloomington, Indiana. Their name is derived from the 1976 Robert Moore film of the same name. Murder by Death released its first studio album in 2002, and has since released seven more studio albums.
Karolina Szurek
The survey of seven currents in the Polish music of the last seven , Karolina Szurek.
Purcell
Henry Purcell (pronounced /ˈpɜrsəl/; 10 September 1659 (?) – 21 November 1695), was an English organist and Baroque composer of secular and sacred music. Although Purcell incorporated Italian and French stylistic elements into his compositions, his legacy was a uniquely English form of Baroque music.
Samuel Barber
Samuel Osborne Barber II (March 9, 1910 – January 23, 1981) was an American composer of orchestral, opera, choral, and piano music. He is one of the most celebrated composers of the 20th century: music critic Donal Henahan stated that "Probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim."
His Adagio for Strings (1936) has earned a permanent place in the concert repertory of orchestras. He was awarded the Pulitzer Prize for Music twice: for his opera Vanessa (1956–57) and for the Concerto for Piano and Orchestra (1962). Also widely performed is his Knoxville: Summer of 1915 (1947), a setting for soprano and orchestra of a prose text by James Agee. At the time of his death, nearly all of his compositions had been recorded.
His Adagio for Strings (1936) has earned a permanent place in the concert repertory of orchestras. He was awarded the Pulitzer Prize for Music twice: for his opera Vanessa (1956–57) and for the Concerto for Piano and Orchestra (1962). Also widely performed is his Knoxville: Summer of 1915 (1947), a setting for soprano and orchestra of a prose text by James Agee. At the time of his death, nearly all of his compositions had been recorded.
Franz Liszt
Franz Liszt (Hungarian: Ferencz Liszt, in modern usage Ferenc Liszt, from 1859 to 1865 officially Franz Ritter von Liszt) (October 22, 1811 – July 31, 1886) was a Hungarian composer, virtuoso pianist and teacher. He was also the father-in-law of Richard Wagner. In 1865 he became abbot in the Roman Catholic Church.
Liszt became renowned throughout Europe during the 19th century for his great skill as a performer. He was said by his contemporaries to have been the most technically advanced pianist of his age and perhaps the greatest pianist of all time. He was also an important and influential composer, a notable piano teacher, a conductor who contributed significantly to the modern development of the art, and a benefactor to other composers and performers, notably Richard Wagner, Hector Berlioz, Camille Saint-Saëns, Edvard Grieg and Alexander Borodin.
As a composer, Liszt was one of the most prominent representatives of the "Neudeutsche Schule" ("New German School"). He left behind a huge and diverse body of work, in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form and making radical departures in harmony.
Liszt became renowned throughout Europe during the 19th century for his great skill as a performer. He was said by his contemporaries to have been the most technically advanced pianist of his age and perhaps the greatest pianist of all time. He was also an important and influential composer, a notable piano teacher, a conductor who contributed significantly to the modern development of the art, and a benefactor to other composers and performers, notably Richard Wagner, Hector Berlioz, Camille Saint-Saëns, Edvard Grieg and Alexander Borodin.
As a composer, Liszt was one of the most prominent representatives of the "Neudeutsche Schule" ("New German School"). He left behind a huge and diverse body of work, in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form and making radical departures in harmony.
Randy Newman
Randall Stuart “Randy” Newman (born November 28, 1943) is an American singer/songwriter, arranger, composer, and pianist who is notable for his mordant (and often satirical) pop songs and for his many film scores.
Newman is noted for his practice of writing lyrics from the perspective of a character far removed from Newman's own biography. For example, the 1972 song "Sail Away" is written as a slave trader's sales pitch to attract slaves, while the narrator of "Political Science" is a U.S. nationalist who complains of worldwide ingratitude toward America and proposes a brutally ironic final solution. One of his biggest hits, "Short People" was written from the perspective of "a lunatic" who hates short people. Since the 1980s, Newman has worked mostly as a film composer. His film scores include Ragtime, Awakenings, The Natural, Leatherheads, James and the Giant Peach, Meet the Parents and Seabiscuit. He has scored five Disney-Pixar films: Toy Story, A Bug's Life, Toy Story 2, Monsters, Inc. and Cars. Most recently he scored Princess and the Frog and is set to return for Toy Story 3 and Cars 2.
He has been singled out for a number of awards by his colleagues, including an Academy Award, two Emmy Awards, four Grammy Awards, and the Governor's Award from the Recording Academy. Randy Newman was inducted into the Songwriters Hall of Fame in 2002. In 2007, Newman was inducted as a Disney Legend.
Newman is noted for his practice of writing lyrics from the perspective of a character far removed from Newman's own biography. For example, the 1972 song "Sail Away" is written as a slave trader's sales pitch to attract slaves, while the narrator of "Political Science" is a U.S. nationalist who complains of worldwide ingratitude toward America and proposes a brutally ironic final solution. One of his biggest hits, "Short People" was written from the perspective of "a lunatic" who hates short people. Since the 1980s, Newman has worked mostly as a film composer. His film scores include Ragtime, Awakenings, The Natural, Leatherheads, James and the Giant Peach, Meet the Parents and Seabiscuit. He has scored five Disney-Pixar films: Toy Story, A Bug's Life, Toy Story 2, Monsters, Inc. and Cars. Most recently he scored Princess and the Frog and is set to return for Toy Story 3 and Cars 2.
He has been singled out for a number of awards by his colleagues, including an Academy Award, two Emmy Awards, four Grammy Awards, and the Governor's Award from the Recording Academy. Randy Newman was inducted into the Songwriters Hall of Fame in 2002. In 2007, Newman was inducted as a Disney Legend.
Adam Guettel
Adam Guettel (/ˈɡɛtəl/; born December 16, 1964) is an American composer-lyricist of musical theater and opera. He is best known for the musical The Light in the Piazza, for which he won two Tony Awards, for Best Score and Best Orchestrations, and two Drama Desk Awards, for Best Music and Best Orchestrations.
Richie Kotzen
Richard Dale Kotzen Jr. (born February 3, 1970) is an American guitarist, singer, songwriter, multi-instrumentalist and producer. As a solo artist, Kotzen has back catalogue of more than 20 album releases. He was a member of glam metal band Poison from 1991 to 1993, Mr. Big from 1999 to 2002, and since 2012, has been the frontman of the band The Winery Dogs. Kotzen was signed to California-based Shrapnel Records from 1988 to 1991, and again from 1995 to 1997.
Ray Henderson
Ray Henderson (December 1, 1896 – December 31, 1970), was an American songwriter.
Born Raymond Brost in Buffalo, New York, Henderson moved to New York City and became a popular composer in Tin Pan Alley. He was one third of a successful songwriting and music publishing team with Lew Brown and Buddy De Sylva from 1925 through 1930, responsible for several editions of the revue called George White's Scandals and such book musicals as Good News, Hold Everything!, and Follow Thru. After De Sylva's departure, Henderson continued to write with Brown through 1933, then worked with other partners. In 1934 he composed the musical Say When with lyricist Ted Koehler.
Henderson's biggest hit songs included "That Old Gang of Mine", "Annabelle" (both 1923), "Bye Bye Blackbird", "Five Foot Two, Eyes of Blue", "I'm Sitting on Top of the World" (all 1925), "The Varsity Drag" (1927), "You're The Cream In My Coffee" (1928), "Button Up Your Overcoat", "You Are My Lucky Star" "I'm A Dreamer, Aren't We All", "Keep Your Sunny Side Up" (1929), "The Thrill Is Gone", and "Life Is Just a Bowl of Cherries" (1931).
Born Raymond Brost in Buffalo, New York, Henderson moved to New York City and became a popular composer in Tin Pan Alley. He was one third of a successful songwriting and music publishing team with Lew Brown and Buddy De Sylva from 1925 through 1930, responsible for several editions of the revue called George White's Scandals and such book musicals as Good News, Hold Everything!, and Follow Thru. After De Sylva's departure, Henderson continued to write with Brown through 1933, then worked with other partners. In 1934 he composed the musical Say When with lyricist Ted Koehler.
Henderson's biggest hit songs included "That Old Gang of Mine", "Annabelle" (both 1923), "Bye Bye Blackbird", "Five Foot Two, Eyes of Blue", "I'm Sitting on Top of the World" (all 1925), "The Varsity Drag" (1927), "You're The Cream In My Coffee" (1928), "Button Up Your Overcoat", "You Are My Lucky Star" "I'm A Dreamer, Aren't We All", "Keep Your Sunny Side Up" (1929), "The Thrill Is Gone", and "Life Is Just a Bowl of Cherries" (1931).
Bob Dufford
Robert J. Dufford, S. J. (born 1943) is a Jesuit priest, a former member of the St. Louis Jesuits musical group, and a composer of Catholic liturgical music. His most popular song is "Be Not Afraid." His work is included in such hymnals as Glory and Praise and Gather.
Rubén Fuentes
Rubén Fuentes (born 15 February 1926) is a Mexican classical violinist and composer, who is best known for his contributions to mariachi music.In 1944, he joined Mariachi Vargas de Tecalitlán as a violinist and later as a music arranger. In 1955 Fuentes stopped performing in the group, but he has maintained his position as producer, musical arranger and musical director to the present day. As such, he had a profound influence on Mariachi Vargas de Tecalitlán and mariachi music in general. He is best known for his work on Linda Ronstadt's classic, Grammy award-winning, multi-platinum Canciones de Mi Padre album. With domestic sales of two-and-a-half million copies, Canciones de Mi Padre stands as the biggest-selling non-English language record in US history.