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"Music is something I really have a need to do - I don't seem to be able to stop" Jakob Dylan
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Jacob do Bandolim
Jacob do Bandolim born Jacob Pick Bittencourt (February 14, 1918 – August 13, 1969) was a Brazilian composer and musician. Born to a Brazilian-Jewish mother and a gentile father in Rio de Janeiro, his stage name means "Mandolin Jacob", after the instrument he played.A perfectionist, Jacob was able to achieve from his band Época de Ouro the highest levels of quality. Jacob hated the stereotype of the "dishevelled, drunk folk musician" and required commitment and impeccable dress from his musicians who, like himself, all held "day jobs." Jacob worked as a pharmacist, insurance salesman, street vendor, and finally notary public, to support himself while also working "full time" as a musician.
Alessandro Marcello
Alessandro Ignazio Marcello (1st February 1673 in Venice – 19 June 1747 in Venice) was an Italian nobleman, poet, philosopher, mathematician and musician.
Traditional
Stan Kenton
Stanley Newcomb Kenton was an American popular music and jazz artist. As a pianist, composer, arranger and band leader, he led an innovative and influential jazz orchestra for almost four decades. Though Kenton had several pop hits from the early 1940s into the 1960s, his music was always forward-looking.
Tran Tien
Tran Tien (full name Tran Viet Tien, born May 16, 1947) is a Vietnamese musician. He is both a songwriter and musician, as well as a singer. In addition, he once won a nomination at the dedication award. He currently lives with his wife in Vung Tau.
George Gershwin
George Gershwin (September 26, 1898 – July 11, 1937) was an American composer. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed songs both for Broadway and for the classical concert hall. He also wrote popular songs with success.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Than & Sam, Sublime, and Sting. A residential building is named after him on the Stony Brook University campus.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Than & Sam, Sublime, and Sting. A residential building is named after him on the Stony Brook University campus.
Brahms
Johannes Brahms (May 7, 1833 â April 3, 1897) was a German composer of the Romantic period. He was born in Hamburg and in his later years he settled in Vienna, Austria.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Chico Buarque
Francisco Buarque de Hollanda, popularly known simply as Chico Buarque, is a Brazilian singer-songwriter, guitarist, composer, playwright, writer, and poet. He is best known for his music, which often includes social, economic, and cultural reflections on Brazil.
Anthony Hedges
Anthony J. Hedges (5 March 1931 – 19 June 2019) was an English composer, the son of children's writer Sidney HedgesHedges was born in Bicester, Oxfordshire, and studied music at Keble College Oxford, where his tutors included Thomas Armstrong. While on National Service for two years at Catterick (from 1955) he was a member of the Band of the Royal Signals Regiment. From 1957 he was a music lecturer at The Royal Scottish Academy of Music in Glasgow, and from 1962 a lecturer at The University of Hull (1962–94) where he was awarded an Hon.DMus. During his time in Glasgow he also contributed regular reviews and articles on music to The Glasgow Herald, The Scotsman, The Guardian and The Daily Telegraph. While at Hull he met the poet Philip Larkin.
Johann Strauss
Johann Strauss I (March 14, 1804 – September 25, 1849; German: Johann Baptist Strauß, Johann Strauss (Vater); also Johann Baptist Strauss, Johann Strauss, Sr., the Elder, the Father), born in Vienna, was an Austrian Romantic composer famous for his waltzes, and for popularizing them alongside Joseph Lanner, thereby setting the foundations for his sons to carry on his musical dynasty. His most famous piece is probably the Radetzky March (named after Joseph Radetzky von Radetz), while his most famous waltz is probably the Lorelei Rheinklänge, Op. 154.
J. S. Bach
Johann Sebastian Bach (21 March 1685, O.S.31 March 1685, N.S. – 28 July 1750, N.S.) was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he did not introduce new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly from Italy and France.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, A Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, as well as the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, A Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, as well as the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
John Philip Sousa
John Philip Sousa (November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era known particularly for American military and patriotic marches. Because of his mastery of march composition and resultant prominence, he is known as "The March King". In public he was typically referenced by his full name.
Ricky Manalo
Ricky Manalo, CSP, Ph. D. is a Paulist priest and a liturgical composer, currently teaching at Santa Clara University. He is the recipient of the 2018 Pastoral Musician of the Year Award by the National Association of Pastoral Musicians. Fr. Manalo's music is published chiefly by Oregon Catholic Press.
Daniel Montoya, Jr
Daniel Montoya Jr. is a proud and rare native of Austin, an ’80s, ’90s, & ’00s music aficionado, and fully embraces his unstoppable rise to “zaddy” status. He also, occasionally, writes music (since being musically moved by his first viewing of the James Cameron film Titanic and wanting to write the music to the sequel, Titanic 2: Jack of Spades: Jack Dawson’s Revenge: This Time It’s Personal). His oeuvre spans several genres, including original pieces and arrangements for wind band, percussion ensemble, and the marching arts. His works, which resound with bristling energy and color, have won numerous awards from national organizations
Carlos Gardel
Carlos Gardel (11 December 1890 – 24 June 1935) was a singer, songwriter and actor, and is perhaps the most prominent figure in the history of tango. The unerring musicality of Gardel's baritone voice and the dramatic phrasing of his lyrics made miniature masterpieces of his hundreds of three-minute tango recordings. Together with lyricist and long-time collaborator Alfredo Le Pera, Gardel wrote several classic tangos, most notably "Mi Buenos Aires querido", "Por una cabeza" and "El día que me quieras".
Gardel died in an airplane crash at the height of his career, becoming an archetypal tragic hero mourned throughout Latin America. For many, Gardel embodies the soul of the tango style. He is commonly referred to as "Carlitos", "El Zorzal" (The Song Thrush), "The King of Tango", "El Mago" (The Magician) and "El Mudo" (The Mute).
Gardel died in an airplane crash at the height of his career, becoming an archetypal tragic hero mourned throughout Latin America. For many, Gardel embodies the soul of the tango style. He is commonly referred to as "Carlitos", "El Zorzal" (The Song Thrush), "The King of Tango", "El Mago" (The Magician) and "El Mudo" (The Mute).
Music theory
Music theory is the study of the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music theory"
Jan Akkerman
Jan Akkerman is a Dutch guitarist. He first found international commercial success with the band Focus, which he co-founded with Thijs van Leer. After leaving Focus, he continued as a solo musician, adding jazz fusion influences.
Jerry Goldsmith
Jerrald King "Jerry" Goldsmith (February 10, 1929 – July 21, 2004) was an American composer and conductor.
He is considered as one of the most prominent and prolific film composers of the 20th century. Goldsmith worked in various film and television genres, but is commonly associated with action, science fiction, fantasy, and horror films. He was nominated for five Grammy Awards, nine Golden Globes, four BAFTAs and seventeen Academy Awards, but only received one Oscar for The Omen in 1976.
A list of his distinguished film scores, most of which were Oscar nominated, include Freud, A Patch of Blue, The Blue Max, The Sand Pebbles, Planet of the Apes, Patton, Escape from the Planet of the Apes, Papillon, Chinatown, The Wind and the Lion, The Omen, Logan's Run, Islands in the Stream (acknowledged by Goldsmith as his own personal favorite), The Boys from Brazil, Capricorn One, Alien, The First Great Train Robbery, Star Trek: The Motion Picture, Poltergeist, Twilight Zone: The Movie, Lionheart, The Russia House, First Blood, Rambo: First Blood Part II, Rambo III, Total Recall, Medicine Man, Basic Instinct, Hoosiers, The Edge, The 13th Warrior, The Mummy, and Rudy. Goldsmith's Oscar-nominated score for Under Fire (1983) prominently featured solo guitar work by Pat Metheny. Of all the scores he wrote, Goldsmith has said that Basic Instinct was the hardest and most complex, according to a mini-documentary on the special edition DVD.
He is considered as one of the most prominent and prolific film composers of the 20th century. Goldsmith worked in various film and television genres, but is commonly associated with action, science fiction, fantasy, and horror films. He was nominated for five Grammy Awards, nine Golden Globes, four BAFTAs and seventeen Academy Awards, but only received one Oscar for The Omen in 1976.
A list of his distinguished film scores, most of which were Oscar nominated, include Freud, A Patch of Blue, The Blue Max, The Sand Pebbles, Planet of the Apes, Patton, Escape from the Planet of the Apes, Papillon, Chinatown, The Wind and the Lion, The Omen, Logan's Run, Islands in the Stream (acknowledged by Goldsmith as his own personal favorite), The Boys from Brazil, Capricorn One, Alien, The First Great Train Robbery, Star Trek: The Motion Picture, Poltergeist, Twilight Zone: The Movie, Lionheart, The Russia House, First Blood, Rambo: First Blood Part II, Rambo III, Total Recall, Medicine Man, Basic Instinct, Hoosiers, The Edge, The 13th Warrior, The Mummy, and Rudy. Goldsmith's Oscar-nominated score for Under Fire (1983) prominently featured solo guitar work by Pat Metheny. Of all the scores he wrote, Goldsmith has said that Basic Instinct was the hardest and most complex, according to a mini-documentary on the special edition DVD.
The Divine Comedy
The Divine Comedy are a pop band from Northern Ireland, formed in 1989 and fronted by Neil Hannon. Hannon has been the only constant member of the group, playing, in some instances, all of the non-orchestral instrumentation except drums. To date, twelve studio albums have been released under the Divine Comedy name.
Sister Act
Sister Act is a 1992 American comedy film released by Touchstone Pictures. Directed by Emile Ardolino, it features musical arrangements by Marc Shaiman and stars Whoopi Goldberg as a Reno lounge singer who has been put under protective custody in a San Francisco convent and has to pretend to be a nun when a mob boss puts her on his hit list. Also in the cast are Maggie Smith, Kathy Najimy, Wendy Makkena, Mary Wickes, and Harvey Keitel. The film is #83 on Bravo's The 100 Funniest Movies list.
The film was followed by a 1993 sequel, Sister Act 2: Back in the Habit. It also inspired a musical stage version that premiered at the Pasadena Playhouse in Pasadena, California in 2006.
The film was followed by a 1993 sequel, Sister Act 2: Back in the Habit. It also inspired a musical stage version that premiered at the Pasadena Playhouse in Pasadena, California in 2006.
David Bruce
David Bruce (born 1970) is a British composer of contemporary classical music and a YouTuber.Bruce was born in Stamford, Connecticut in 1970, but grew up in England. He began his undergraduate music studies in 1988 at the University of Nottingham, where his composition tutors included Jim Fulkerson and Nicholas Sackman. He continued at the Royal College of Music from 1991 to 1993, where he obtained a master's degree in Composition, studying with Timothy Salter and George Benjamin. He received a PhD in Composition at King's College London between 1995 and 1999, under the supervision of Harrison Birtwistle.
Brian Grey
Brian Grey Musical artist Genre: Blues Albums: Bittersweet, All Of Midnight, Blue Secrets, Night For A Lonely Soul, Holiday Blues Songs Smooth Night Bittersweet · 2021 Bittersweet Bittersweet · 2021 Morning Pride Night For A Lonely Soul · 2021
Richard Clayderman
Richard Clayderman (born Philippe Pagès on December 28, 1953, Paris) is a French pianist who has released numerous albums including the original compositions by Paul de Senneville and Olivier Toussaint, and instrumental renditions of popular music, rearrangements of movie sound tracks, ethnic music, and easy-listening arrangements of most popular works of classical music.
In 1976 he was invited from Olivier Toussaint a French record producer and his partner Paul de Senneville to record a gentle piano ballad. Paul de Senneville had composed this ballad as a tribute to his new born daughter “Adeline”. The 23 year old Philippe Pagès was auditioned along with 20 other pianists. They liked his special and soft touch on the keyboards combined with his good looks and fine personality, and finally he got the job.
Philippe Pagès' name was changed to Richard Clayderman (he adopted his great-grandmother's last name to avoid mispronunciation of his real name outside France), and the single took off, selling an astonishing 22 million copies in 38 countries. It was called Ballade pour Adeline.
In 1976 he was invited from Olivier Toussaint a French record producer and his partner Paul de Senneville to record a gentle piano ballad. Paul de Senneville had composed this ballad as a tribute to his new born daughter “Adeline”. The 23 year old Philippe Pagès was auditioned along with 20 other pianists. They liked his special and soft touch on the keyboards combined with his good looks and fine personality, and finally he got the job.
Philippe Pagès' name was changed to Richard Clayderman (he adopted his great-grandmother's last name to avoid mispronunciation of his real name outside France), and the single took off, selling an astonishing 22 million copies in 38 countries. It was called Ballade pour Adeline.
Toshio Masuda
Toshio Masuda (増田 俊郎, Masuda Toshio, born October 28, 1959) is a Japanese composer. He has composed and synthesized scores for several Japanese television shows and animated series.Masuda is perhaps best known as the composer of the 2002 hit anime series Naruto where he combined traditional instruments like the shamisen and shakuhachi together with guitar, drums, bass, piano and other keyboard instruments along with chanting.
Sailor Moon
Sailor Moon is the title of a Japanese media franchise created by Naoko Takeuchi. It is generally credited with popularizing the concept of a sentai (team) of magical girls, as well as the general re-emergence of the magical girl genre itself.
The story of the various metaseries revolves around the reincarnated defenders of a kingdom that once spanned the solar system, and the evil forces that they battle. The major characters—called Sailor Senshi (literally "Sailor Soldiers"; frequently called "Sailor Scouts" in the North American version)—are teenage girls who can transform into heroines named for the moon and planets (Sailor Moon, Sailor Mercury, Sailor Mars, etc). The use of "Sailor" comes from a style of girls' school uniform popular in Japan, the sērā fuku (sailor outfit), after which the Senshi's uniforms are modeled. The elements of fantasy in the series are heavily symbolic and often based on mythology.
Music for the Sailor Moon metaseries was written and composed by numerous people, including frequent lyrical contributions by creator Naoko Takeuchi. All of the background musical scores, including the spinoffs, games, and movies, were composed and arranged by Takanori Arisawa, who earned the "Golden Disk Grand Prize" from Columbia Records for his work on the first series soundtrack in 1993. In 1998, 2000, and 2001 he won the JASRAC International Award for most international royalties, owing largely to the popularity of Sailor Moon music in other nations.
The story of the various metaseries revolves around the reincarnated defenders of a kingdom that once spanned the solar system, and the evil forces that they battle. The major characters—called Sailor Senshi (literally "Sailor Soldiers"; frequently called "Sailor Scouts" in the North American version)—are teenage girls who can transform into heroines named for the moon and planets (Sailor Moon, Sailor Mercury, Sailor Mars, etc). The use of "Sailor" comes from a style of girls' school uniform popular in Japan, the sērā fuku (sailor outfit), after which the Senshi's uniforms are modeled. The elements of fantasy in the series are heavily symbolic and often based on mythology.
Music for the Sailor Moon metaseries was written and composed by numerous people, including frequent lyrical contributions by creator Naoko Takeuchi. All of the background musical scores, including the spinoffs, games, and movies, were composed and arranged by Takanori Arisawa, who earned the "Golden Disk Grand Prize" from Columbia Records for his work on the first series soundtrack in 1993. In 1998, 2000, and 2001 he won the JASRAC International Award for most international royalties, owing largely to the popularity of Sailor Moon music in other nations.
Henry Purcell
Henry Purcell (pronounced /ˈpɜrsəl/; 10 September 1659 (?) – 21 November 1695), was an English organist and Baroque composer of secular and sacred music. Although Purcell incorporated Italian and French stylistic elements into his compositions, his legacy was a uniquely English form of Baroque music.
Darren Smith and Terrance Zdunich
Darren Smith And Terrance Zdunich Musical artist Songs Come Up and Try My New Parts Repo! The Genetic Opera · 2002
Night Surgeon Repo! The Genetic Opera · 2002 But This Is Opera! Repo! The Genetic Opera · 2002
Night Surgeon Repo! The Genetic Opera · 2002 But This Is Opera! Repo! The Genetic Opera · 2002
Jay Chou
Jay Chou (traditional Chinese: 周杰倫; simplified Chinese: 周杰伦; pinyin: Zhōu Jiélún; Wade-Giles: Chou Chieh-lun; Pe̍h-ōe-jī: Chiu Kia̍t-lûn) (born January 18, 1979) is a Taiwanese musician, singer, producer, actor and director who has won the World Music Award four times. He is well-known for composing all his own songs and songs for other singers. In 1998 he was discovered in a talent contest where he displayed his piano and song-writing skills. Over the next two years, he was hired to compose for popular Chinese singers. Although he was trained in classical music, Chou combines Chinese and Western music styles to produce songs that fuse R&B, rock and pop genres, covering issues such as domestic violence, war, and urbanization.
In 2000 Chou released his first album, titled Jay, under the record company Alfa Music. Since then he has released one album per year, selling several million copies each. His music has gained recognition throughout Asia, most notably in regions such as Taiwan, China, Hong Kong, Japan, Malaysia, Indonesia, Singapore, Thailand, Vietnam and in overseas Asian communities, winning more than 20 awards each year. He has sold over 25 million albums worldwide. He debuted his acting career in Initial D (2005), for which he won Best Newcomer Actor in Golden Horse Awards, and was nominated for Best Supporting Actor by Hong Kong Film Awards for his role in Curse of the Golden Flower (2006). His career now extends into directing and running his own record company JVR Music. He has also endorsed various models of Media Players released by Onda in which he appears on the box, and his signature and likeness is printed on the back of certain models of these players.
In 2000 Chou released his first album, titled Jay, under the record company Alfa Music. Since then he has released one album per year, selling several million copies each. His music has gained recognition throughout Asia, most notably in regions such as Taiwan, China, Hong Kong, Japan, Malaysia, Indonesia, Singapore, Thailand, Vietnam and in overseas Asian communities, winning more than 20 awards each year. He has sold over 25 million albums worldwide. He debuted his acting career in Initial D (2005), for which he won Best Newcomer Actor in Golden Horse Awards, and was nominated for Best Supporting Actor by Hong Kong Film Awards for his role in Curse of the Golden Flower (2006). His career now extends into directing and running his own record company JVR Music. He has also endorsed various models of Media Players released by Onda in which he appears on the box, and his signature and likeness is printed on the back of certain models of these players.
Roupa Nova
Roupa Nova (lit. "New Clothes") is a Brazilian soft rock band, who had many hits in the 1980s and early 1990s. Their sound is often compared to the American band Toto. The band sold over 10 million copies and have 25 hit singles, 10 of them reached #1.
The band was formed in 1970, under the name Os Famks, by keyboard player Cléberson Horsth, bassist Nando, guitarist Kiko and singer Paulinho. With this formation, the band released the single Hoje ainda é dia de Rock (Today is still the day for Rock). In 1975, having changed their name to Os Motokas, they were joined by keyboardist and guitarist Ricardo Feghali and drummer Serginho Herval.
The band was formed in 1970, under the name Os Famks, by keyboard player Cléberson Horsth, bassist Nando, guitarist Kiko and singer Paulinho. With this formation, the band released the single Hoje ainda é dia de Rock (Today is still the day for Rock). In 1975, having changed their name to Os Motokas, they were joined by keyboardist and guitarist Ricardo Feghali and drummer Serginho Herval.
Nicola Piovani
Nicola Piovani (born 26 May 1946) is an Italian light-classical musician, theater and film score composer, and winner of the 1999 Best Original Dramatic Score Oscar for the score of the Roberto Benigni film La Vita è bella, better known to English-speaking audiences as Life Is Beautiful.After high school, Piovani enrolled at the Sapienza University of Rome, receiving his degree in piano from the Verdi Conservatory in Milan in 1967, and later studied orchestration under the Greek composer Manos Hadjidakis.Among his more popular works is the score for the Federico Fellini film Intervista, his second of three collaborations with the famous director, the others being Ginger e Fred (Ginger and Fred in English) and La voce della luna (The Voice of the Moon). Years later, he composed a ballet titled Balletto Fellini.
Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov (Russian: Никола́й Андре́евич Ри́мский-Ко́рсаков, Nikolaj Andreevič Rimskij-Korsakov, Russian pronunciation: ) (18 March 1844, – 21 June 1908) was a Russian composer, and a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade—are considered staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. Scheherazade is an example of his frequent use of fairy tale and folk subjects.
Rimsky-Korsakov believed, as did fellow composer Mily Balakirev and critic Vladimir Stasov, in developing a nationalistic style of classical music. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. However, Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. His techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner.
Rimsky-Korsakov believed, as did fellow composer Mily Balakirev and critic Vladimir Stasov, in developing a nationalistic style of classical music. This style employed Russian folk song and lore along with exotic harmonic, melodic and rhythmic elements in a practice known as musical orientalism, and eschewed traditional Western compositional methods. However, Rimsky-Korsakov appreciated Western musical techniques after he became a professor of musical composition, harmony and orchestration at the Saint Petersburg Conservatory in 1871. He undertook a rigorous three-year program of self-education and became a master of Western methods, incorporating them alongside the influences of Mikhail Glinka and fellow members of The Five. His techniques of composition and orchestration were further enriched by his exposure to the works of Richard Wagner.
Genesis
Genesis are an English rock band that formed in 1967. The band currently comprises the longest-tenured members Phil Collins, Mike Rutherford and Tony Banks. Past members Peter Gabriel, Anthony Phillips and Steve Hackett also played major roles in the band in its early years. Genesis are among the top 30 highest-selling recording artists of all time with approximately 150 million albums sold worldwide.
Ettore Pozzoli
Ettore Pozzoli (July 23, 1873 – November 9, 1957) was an Italian classical pianist and composer.Born in the Italian city of Seregno, Ettore Pozzoli began his career soon after he received his music diploma from the Milan Conservatory in 1895. While writing music for piano and orchestra, he started teaching at the Milan Conservatory. His works on theory and solfeggio, even nowadays considered the basis of the studies of any pianist, are known for the progressive difficulty, for harmony and counterpoint. His composition “Danza fantastica” was chosen in 1956 as the compulsory piece for competitors at the sixth World Accordion Contest in Gdańsk. Pozzoli died on 9 November 1957 in Seregno (Italy), where, since 1959, an international piano contest in his honour takes place organized by the City.
Aris Carastathis
Aris Carastathis received his early musical training at the Attica Conservatory in Athens, Greece and completed his Bachelor (guitar) and Master (composition) degrees in music at the University of Northern Iowa. He graduated with a Doctor of Musical Arts Degree from Louisiana State University in 1988, where he studied composition with Dinos Constantinides. He is an Associate Composer and Voting Member of the Canadian Music Centre, and an elected member of the Greek Composers Union. He was a Founding Member of the Board of Directors of New Music North.
Benjamin Godard
Benjamin Louis Paul Godard (18 August 1849 – 10 January 1895) was a French violinist and Romantic-era composer of Jewish extraction, best known for his opera Jocelyn. Godard composed eight operas, five symphonies, two piano and two violin concertos, string quartets, sonatas for violin and piano, piano pieces and etudes, and more than a hundred songs. He died at the age of 45 in Cannes (Alpes-Maritimes) of tuberculosis and was buried in the family tomb in Taverny in the French department of Val-d'Oise.
Luis de Milán
Luis de Milán (also known as Lluís del Milà or Luys Milán) (c. 1500 – c. 1561) was a Spanish Renaissance composer, vihuelist, and writer on music. He was the first composer in history to publish music for the vihuela de mano, an instrument employed primarily in the Iberian peninsula and some of the Italian states during the 15th and 16th centuries, and he was also one of the first musicians to specify verbal tempo indications in his music.He probably lived all his life in Valencia, though details are sketchy at best. He seems to have been employed by the ducal court until around 1538. In 1535 he published his first book, a parlor game with music called El juego de mandar. The next year he issued what would be his most important book.
Vivaldi
Antonio Lucio Vivaldi (March 4, 1678 â July 28, 1741), nicknamed il Prete Rosso ("The Red Priest"), was a Venetian priest and Baroque music composer, as well as a famous virtuoso violinist; he was born and raised in the Republic of Venice. The Four Seasons, a series of four violin concerti, is his best-known work and a highly popular Baroque piece.
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Alan Silvestri
Alan Anthony Silvestri (born March 26, 1950) is an Academy Award-nominated American film score composer and conductor.
estri is best known for his collaborations with director Robert Zemeckis, having scored Romancing the Stone (1984), the Back to the Future trilogy (1985, 1989, 1990), Who Framed Roger Rabbit (1988), Death Becomes Her (1992), Forrest Gump (1994), Contact (1997), Cast Away (2000), The Polar Express (2004) , Beowulf (2007) and Disney's A Christmas Carol (2009).
Silvestri is also known for his work on Predator (1987) and Predator 2 (1990), both of which are considered preeminent examples of action/sci-fi film scores. He has also begun a collaboration with director Stephen Sommers, scoring the films The Mummy Returns in 2001, Van Helsing in 2004 and G.I. Joe: The Rise of Cobra in 2009.
Silvestri also composed music for television, including for the series Starsky & Hutch, CHiPs , Manimal and HBO's Tales from the Crypt.
Silvestri was 21 years old when he started his film/televsion composing career.
His early style is marked by a strong use of the "octatonic scale," as well as an eclectic use of different notes and instruments.
It was thought that Silvestri was allegedly inspired by the works of Barry DeVorzon, Perry Botkin, Jr., Lalo Schifrin, Jerry Fielding, Jerry Goldsmith and John Williams.
estri is best known for his collaborations with director Robert Zemeckis, having scored Romancing the Stone (1984), the Back to the Future trilogy (1985, 1989, 1990), Who Framed Roger Rabbit (1988), Death Becomes Her (1992), Forrest Gump (1994), Contact (1997), Cast Away (2000), The Polar Express (2004) , Beowulf (2007) and Disney's A Christmas Carol (2009).
Silvestri is also known for his work on Predator (1987) and Predator 2 (1990), both of which are considered preeminent examples of action/sci-fi film scores. He has also begun a collaboration with director Stephen Sommers, scoring the films The Mummy Returns in 2001, Van Helsing in 2004 and G.I. Joe: The Rise of Cobra in 2009.
Silvestri also composed music for television, including for the series Starsky & Hutch, CHiPs , Manimal and HBO's Tales from the Crypt.
Silvestri was 21 years old when he started his film/televsion composing career.
His early style is marked by a strong use of the "octatonic scale," as well as an eclectic use of different notes and instruments.
It was thought that Silvestri was allegedly inspired by the works of Barry DeVorzon, Perry Botkin, Jr., Lalo Schifrin, Jerry Fielding, Jerry Goldsmith and John Williams.
Noriyasu Agematsu
Noriyasu Agematsu (上松 範康, Agematsu Noriyasu, born March 1, 1978 in Nagano) is a Japanese composer and founding member of the musical group Elements Garden.He composed and arranged tracks on Nana Mizuki's singles Massive Wonders and Eternal Blaze, "Brave Phoenix" on the single Super Generation and the track "Tears' Night" on the album Alive & Kicking, composed the track Shin'ai and the music for "UNCHAIN∞WORLD" on the single Silent Bible. He composed and arranged the music for the track "Heart-shaped chant" on the single Secret Ambition and the track Justice to Believe. He composed the music for the track Mugen and the tracks "Trickster" and "DISCOTHEQUE" from the single Trickster. Along with his fellow Elements Garden members, he is the composer and arranger for the BanG Dream! franchise, including overseeing music production for its anime.