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Sarah McLachlan
Sarah Ann McLachlan, OC, OBC (born January 28, 1968) is a Grammy-winning Canadian musician, singer and songwriter.
She is known for the emotional sound of her ballads. Some of her most popular songs include "Angel", "Building a Mystery", "Adia", "Possession", "Fallen", "I Will Remember You", and "World on Fire". As of 2006, she has sold over 40 million albums worldwide. Her best-selling album to date is Surfacing, for which she won eight Juno Awards and three Grammy Awards. In addition to her personal artistic efforts, she founded the Lilith Fair tour, which showcased female musicians in the late 1990s.
Her 1991 album, Solace, was her mainstream breakthrough in Canada, spawning the hit singles "The Path of Thorns (Terms)" and "Into the Fire". Solace also marked the beginning of her partnership with Pierre Marchand. Marchand and McLachlan have been collaborators ever since, with Marchand producing all of McLachlan's albums and occasionally co-writing songs.
1994's Fumbling Towards Ecstasy was an immediate smash hit in Canada. From her Nettwerk connection, her piano version of the song "Possession" was included on the first Due South soundtrack in 1996. Over the next two years, Fumbling Towards Ecstasy quietly became McLachlan's international breakthrough as well, scaling the charts in a number of countries.
Following the success from Fumbling Towards Ecstasy, McLachlan returned in 1997 with Surfacing, her best selling album to date. Earning her two Grammy awards and four Junos, the album has since sold over 11 million copies worldwide and brought her much international success
She is known for the emotional sound of her ballads. Some of her most popular songs include "Angel", "Building a Mystery", "Adia", "Possession", "Fallen", "I Will Remember You", and "World on Fire". As of 2006, she has sold over 40 million albums worldwide. Her best-selling album to date is Surfacing, for which she won eight Juno Awards and three Grammy Awards. In addition to her personal artistic efforts, she founded the Lilith Fair tour, which showcased female musicians in the late 1990s.
Her 1991 album, Solace, was her mainstream breakthrough in Canada, spawning the hit singles "The Path of Thorns (Terms)" and "Into the Fire". Solace also marked the beginning of her partnership with Pierre Marchand. Marchand and McLachlan have been collaborators ever since, with Marchand producing all of McLachlan's albums and occasionally co-writing songs.
1994's Fumbling Towards Ecstasy was an immediate smash hit in Canada. From her Nettwerk connection, her piano version of the song "Possession" was included on the first Due South soundtrack in 1996. Over the next two years, Fumbling Towards Ecstasy quietly became McLachlan's international breakthrough as well, scaling the charts in a number of countries.
Following the success from Fumbling Towards Ecstasy, McLachlan returned in 1997 with Surfacing, her best selling album to date. Earning her two Grammy awards and four Junos, the album has since sold over 11 million copies worldwide and brought her much international success
The Band Perry
The Band Perry, an American country music group, is composed of siblings Kimberly Perry (lead vocals, guitar, piano), Reid Perry (bass guitar, background vocals), and Neil Perry (mandolin, drums, accordion, background vocals). They signed to Republic Nashville in August 2009 and have released four singles: "Hip to My Heart" (November 2009), "If I Die Young" (June 2010), "You Lie" (January 2011), and "All Your Life" (August 2011). All four songs are included on the band's self-titled debut album, released October 12, 2010. "If I Die Young" reached #1 on the Hot Country Songs and Adult Contemporary charts and has been certified quadruple platinum.
Nobuo Uematsu
Nobuo Uematsu (植松伸夫 Uematsu Nobuo?, born March 21, 1959) is a Japanese video game composer and musician, best known for scoring the majority of titles in the Final Fantasy series. He is regarded as one of the most famous and respected composers in the video game community. Uematsu is a self-taught musician; he began to play the piano at the age of eleven or twelve, with Elton John as his biggest influence.
Uematsu joined Square (later Square Enix) in 1985, where he met Final Fantasy creator Hironobu Sakaguchi. They have worked together on numerous titles, most notably the games in the Final Fantasy series. After nearly 20 years in the company, he left Square Enix in 2004 and founded his own company called Smile Please, as well as the music production company Dog Ear Records. He has since composed music as a freelancer for video games primarily developed by Square Enix and Sakaguchi's development studio Mistwalker.
A handful of soundtracks and arranged albums of Uematsu's game scores have been released. Pieces from his video game works have been performed in concerts worldwide, and numerous Final Fantasy concerts have also been held. He has worked with Grammy Award-winning conductor Arnie Roth on several of these concerts. In 2002, he formed a rock band with colleagues Kenichiro Fukui and Tsuyoshi Sekito called The Black Mages, in which Uematsu plays the keyboard. The band plays arranged rock versions of Uematsu's Final Fantasy compositions.
Uematsu joined Square (later Square Enix) in 1985, where he met Final Fantasy creator Hironobu Sakaguchi. They have worked together on numerous titles, most notably the games in the Final Fantasy series. After nearly 20 years in the company, he left Square Enix in 2004 and founded his own company called Smile Please, as well as the music production company Dog Ear Records. He has since composed music as a freelancer for video games primarily developed by Square Enix and Sakaguchi's development studio Mistwalker.
A handful of soundtracks and arranged albums of Uematsu's game scores have been released. Pieces from his video game works have been performed in concerts worldwide, and numerous Final Fantasy concerts have also been held. He has worked with Grammy Award-winning conductor Arnie Roth on several of these concerts. In 2002, he formed a rock band with colleagues Kenichiro Fukui and Tsuyoshi Sekito called The Black Mages, in which Uematsu plays the keyboard. The band plays arranged rock versions of Uematsu's Final Fantasy compositions.
Justin Bieber
Justin Bieber (pronounced /ˈbiːbər/, BEE-bər; born March 1, 1994) is a Canadian pop/R&B singer. His performances on YouTube were seen by Scooter Braun, who later became his manager. Braun arranged for him to meet with Usher in Atlanta, Georgia, and Bieber was soon signed to Raymond Braun Media Group (RBMG), a joint venture between Braun and Usher, and then to a recording contract with Island Records offered by L.A. Reid.
His debut single, "One Time", was released worldwide during 2009, and charted within the top thirty in over ten countries. It was followed by his debut release, My World on November 17, 2009, which was certified platinum in the United States, which at the time gave Bieber the highest debut by a new artist in the year, and made Bieber the first artist to have seven songs from a debut album chart on Billboard's Hot 100 chart. His first full studio release, My World 2.0 was released on March 23, 2010, debuting at number one and within the top ten of several countries. It was preceded by the international hit song, "Baby".
His debut single, "One Time", was released worldwide during 2009, and charted within the top thirty in over ten countries. It was followed by his debut release, My World on November 17, 2009, which was certified platinum in the United States, which at the time gave Bieber the highest debut by a new artist in the year, and made Bieber the first artist to have seven songs from a debut album chart on Billboard's Hot 100 chart. His first full studio release, My World 2.0 was released on March 23, 2010, debuting at number one and within the top ten of several countries. It was preceded by the international hit song, "Baby".
Jerry Herman
Gerald Sheldon Herman (July 10, 1931 – December 26, 2019) was an American composer and lyricist, known for his work in Broadway musical theater. He composed the scores for the hit Broadway musicals Hello, Dolly!, Mame, and La Cage aux Folles. He was nominated for the Tony Award five times, and won twice, for Hello, Dolly! and La Cage aux Folles.
Henrique Oswald
Henrique José Pedro Maria Carlos Luis Oswald (April 14, 1852 – June 9, 1931) was a Brazilian composer and pianistOswald was born in Rio de Janeiro. His father was a Swiss-German immigrant and his mother from Italy. The family name was changed from "Oschwald" due to concerns of discrimination. In 1854 the Oswald family moved to São Paulo. His mother taught music privately to aristocrats and by age twelve he had his first recital. In São Paulo, he also studied with Gabriel Guiraudon. His "farewell recital" occurred at age 16, after this he went to study in Europe.[1
Creedence Clearwater Revival
Creedence Clearwater Revival, also referred to as Creedence and CCR, was an American rock band that recorded and performed from 1959 to 1972 under various names before settling on the Creedence Clearwater Revival name in 1967. The band initially consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty; his brother, rhythm guitarist Tom Fogerty; bassist Stu Cook; and drummer Doug Clifford. These members had played together since 1959, first as the Blue Velvets and later as the Golliwogs.
Catherine Rollin
Catherine Rollin is a pianist, composer, clinician and teacher of prize-winning students. Her more than 200 published pedagogical compositions are recognized worldwide for their combination of musicality and “teachability.?nbsp; In demand as a clinician, Catherine has given over 150 workshops including a seven city tour of Japan in 2006. Many of Catherine’s workshops feature her insights into technique that demystify the skills necessary to play artistically and with physical confidence. These insights were initially presented in her well known series, Pathways to Artistry. Catherine has also presented masterclasses in Japan, Canada and throughout the U.S.
Christine McVie
Christine Anne McVie is an English singer, songwriter, and keyboardist, and one of the three lead vocalists and the keyboardist of Fleetwood Mac, which she joined in 1970. She has also released three solo albums. She has a contralto voice. Her direct but poignant lyrics focus on love and relationships.
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Nelly Furtado
Nelly Kim Furtado (born December 2, 1978) is a Canadian singer-songwriter, record producer, actress and instrumentalist, who also holds Portuguese citizenship.
Furtado came to fame in 2000 with the release of her debut album Whoa, Nelly!, which featured her breakthrough Grammy Award-winning single "I'm like a Bird". After becoming a mother and releasing the less commercially successful Folklore (2003), she returned to prominence in 2006 with the release of Loose and its hit singles "Promiscuous", "Maneater", "Say It Right", and "All Good Things (Come to an End)". Furtado is known for experimenting with different instruments, sounds, genres, vocal styles and languages. This diversity has been influenced by her wide-ranging musical taste and her interest in different cultures.
Furtado came to fame in 2000 with the release of her debut album Whoa, Nelly!, which featured her breakthrough Grammy Award-winning single "I'm like a Bird". After becoming a mother and releasing the less commercially successful Folklore (2003), she returned to prominence in 2006 with the release of Loose and its hit singles "Promiscuous", "Maneater", "Say It Right", and "All Good Things (Come to an End)". Furtado is known for experimenting with different instruments, sounds, genres, vocal styles and languages. This diversity has been influenced by her wide-ranging musical taste and her interest in different cultures.
James Blunt
James Blunt (born James Hillier Blount, February 22, 1974) is an English singer-songwriter whose debut album, Back to Bedlam, and single releases — especially the number one hit "You're Beautiful" — brought him to fame in 2005. His style is a mix of pop, rock and folk. Along with vocals, James Blunt performs a variety of instruments, including piano and guitar. He is signed to Linda Perry's independent American label Custard Records. Blunt won two BRIT Awards and two Ivor Novello Awards, and was nominated for five Grammy Awards in 2006. Blunt subsequently released his second album, All The Lost Souls, in 2007; this album was certified gold within its first week of release. The first single from his second album, "1973", was Blunt's first Global Number 1 in October 2007, beating "You're Beautiful" which peaked at Number 2 in the United World Chart.
Prior to embarking on a career in music, Blunt was an officer in the Life Guards, a reconnaissance regiment of the British Army, and served under NATO in Kosovo during the conflict in 1999. While posted to Kosovo, Blunt was introduced to the work of Médecins sans Frontières (MSF) (Doctors Without Borders), a humanitarian aid group best known for its emergency medical care in conflict-torn regions. Since then, Blunt has supported MSF by holding meet-and-greet auctions at many of his concerts.
Blunt's primary residence is now on the Spanish island of Ibiza, where he wrote many of the songs on his second album.
Prior to embarking on a career in music, Blunt was an officer in the Life Guards, a reconnaissance regiment of the British Army, and served under NATO in Kosovo during the conflict in 1999. While posted to Kosovo, Blunt was introduced to the work of Médecins sans Frontières (MSF) (Doctors Without Borders), a humanitarian aid group best known for its emergency medical care in conflict-torn regions. Since then, Blunt has supported MSF by holding meet-and-greet auctions at many of his concerts.
Blunt's primary residence is now on the Spanish island of Ibiza, where he wrote many of the songs on his second album.
Bob Geldof
Robert Frederick Zenon Geldof KBE (/ˈɡɛldɒf/; born 5 October 1951), is an Irish singer-songwriter and political activist. He rose to prominence as the lead singer of the Irish rock band the Boomtown Rats in the late 1970s, who achieved popularity at the time of the punk rock movement. The band had UK number one hits with his compositions "Rat Trap" and "I Don't Like Mondays". Geldof starred as "Pink" in Pink Floyd's 1982 film Pink Floyd – The Wall. As a fundraiser, Geldof organised the charity supergroup Band Aid and the concerts Live Aid and Live 8, and co-wrote "Do They Know It's Christmas?", one of the best-selling singles of all time
Gordon lightfoot
Gordon Meredith Lightfoot Jr. CC OOnt (born November 17, 1938) is a Canadian singer-songwriter and guitarist who achieved international success in folk, folk-rock, and country music. He is credited with helping to define the folk-pop sound of the 1960s and 1970s. He is often referred to as Canada's greatest songwriter and is known internationally as a folk-rock legend.
Antonio Fragoso
António de Lima Fragoso (17 June 1897 – 13 October 1918) was a Portuguese composer and pianist.Fragoso was born in Pocariça, Cantanhede. According to the Biblioteca Municipal de Cantanhede, he was given his earliest music lessons by his uncle, Dr. António dos Santos Tovin, and continued after his move to Oporto under the supervision of another uncle, who was also Fragoso's godfather, Dr José d´Oliveira Lima. He studied piano with Professor Ernesto Maia.
Jonathan Larson
Jonathan David Larson (February 4, 1960 – January 25, 1996) was an American composer and playwright noted for exploring the social issues of multiculturalism, addiction, and homophobia in his work. Typical examples of his use of these themes are found in his works Rent and Tick, Tick... Boom! He received three posthumous Tony Awards and a posthumous Pulitzer Prize for Drama for the rock musical Rent.
Luigi Arditi
Luigi Arditi (22 July 1822 – 1 May 1903) was an Italian violinist, composer and conductor.
Arditi was born in Crescentino, Piemonte (Italy). He began his musical career as a violinist, and studied music at the Conservatory of Milan. He made his debut in 1843 as a director at Vercelli, and it was there that he was made an honorary member of the Philharmonic Academy. Arditi conducted opera throughout Italy and in 1846 found himself conducting as far afield as Havana, Cuba. (This was where he first met Bottesini). He visited America, where he remained for a while, conducting operas in New York, Philadelphia and other cities with the Max Maretzek Italian Opera Company until 1856. Then, following a visit to Constantinople, he decided to settle in London, but made several trips again to America with the Royal Italian Opera Company. He also conducted in Germany, and in other major European cities such as St. Petersburg, Vienna and Madrid. After 1885, he was in England, conducting at Covent Garden and in various prestigious theatres and promenade concerts in London's parks. He died at Hove, near Brighton (England). His mortal remains are buried in Hove Cemetery.
Arditi was born in Crescentino, Piemonte (Italy). He began his musical career as a violinist, and studied music at the Conservatory of Milan. He made his debut in 1843 as a director at Vercelli, and it was there that he was made an honorary member of the Philharmonic Academy. Arditi conducted opera throughout Italy and in 1846 found himself conducting as far afield as Havana, Cuba. (This was where he first met Bottesini). He visited America, where he remained for a while, conducting operas in New York, Philadelphia and other cities with the Max Maretzek Italian Opera Company until 1856. Then, following a visit to Constantinople, he decided to settle in London, but made several trips again to America with the Royal Italian Opera Company. He also conducted in Germany, and in other major European cities such as St. Petersburg, Vienna and Madrid. After 1885, he was in England, conducting at Covent Garden and in various prestigious theatres and promenade concerts in London's parks. He died at Hove, near Brighton (England). His mortal remains are buried in Hove Cemetery.
João Domingos Bomtempo
João Domingos Bomtempo (Portuguese pronunciation: ; also Buontempo; Lisbon, 28 December 1775 – Lisbon, 18 August 1842) was a Portuguese classical pianist, composer and pedagogueBomtempo was the son of an Italian musician in the Portuguese court orchestra, and studied at the Music Seminary of the Patriarchal See in Lisbon. Unlike most of his contemporaries, he was not interested in opera and, in 1801, instead of going to Italy, he traveled to Paris, where he started a career as a virtuoso pianist. He moved to London in 1810 and became acquainted with liberal circles in that city.During 1822 he returned to Lisbon, and founded there a Philharmonic Society to promote public concerts of contemporary music. After the Portuguese civil war between liberals and absolutists had resulted in a liberal victory, Bomtempo became a music teacher to the young Queen Maria II of Portugal and first Director of the National Conservatory, created in 1835 to replace the old Patriarchal Seminary, which had been abolished by the new liberal regime.
Gus Kahn
Gustav Gerson Kahn was an American lyricist who contributed a number of songs to the Great American Songbook, including "Pretty Baby", "Ain't We Got Fun?", "Carolina in the Morning", "Toot, Toot, ...
Traditional
Jamie Cullum
Jamie Cullum (born 20 August 1979) is an English pop and jazz-pop singer, songwriter, pianist, guitarist, and drummer.
Cullum was born at Romford Hospital in Essex, and educated at the independent fee-paying Grittleton House School and the sixth form at Sheldon School. Both are near Chippenham in Wiltshire. His mother, Yvonne, is a secretary of Anglo-Burmese origin, whose family settled in Wales after Burma's independence; his father, John Cullum, worked in finance. His paternal grandfather was a British Army officer, while his paternal grandmother was a Jewish refugee from Prussia who sang in Berlin nightclubs; Cullum has said that he sees her as his "cultural icon". He was brought up in Hullavington, Wiltshire but currently lives in North West London.
Cullum was born at Romford Hospital in Essex, and educated at the independent fee-paying Grittleton House School and the sixth form at Sheldon School. Both are near Chippenham in Wiltshire. His mother, Yvonne, is a secretary of Anglo-Burmese origin, whose family settled in Wales after Burma's independence; his father, John Cullum, worked in finance. His paternal grandfather was a British Army officer, while his paternal grandmother was a Jewish refugee from Prussia who sang in Berlin nightclubs; Cullum has said that he sees her as his "cultural icon". He was brought up in Hullavington, Wiltshire but currently lives in North West London.
Vince Guaraldi
Vincent Anthony "Vince" Guaraldi (July 17, 1928 – February 6, 1976) was an Italian American jazz musician and pianist noted for his innovative compositions and arrangements and for composing music for animated adaptations of the Peanuts comic strip. Guaraldi was born in San Francisco, California. He graduated from Lincoln High School, attended San Francisco State University, and served as an Army cook in the Korean War.
While searching for just the right music to accompany a planned Peanuts television documentary, Lee Mendelson (the producer of the special) heard a single version of "Cast Your Fate to the Wind" by Vince Guaraldi's trio on the radio while traveling in a taxicab on the Golden Gate Bridge in San Francisco, California. Mendelson contacted Ralph J. Gleason, jazz columnist for the San Francisco Chronicle and was put in touch with Guaraldi. He proposed that Guaraldi score the upcoming Peanuts Christmas special and Guaraldi enthusiastically took the job, performing a version of what became "Linus and Lucy" over the phone two weeks later. The soundtrack was recorded by the Vince Guaraldi Trio, whose other members were Puzzy Firth standing in bassist for band member Fred Marshall, who was ill at the time, and drummer Jerry Granelli. Guaraldi went on to compose scores for sixteen Peanuts television specials, plus the feature film A Boy Named Charlie Brown as well as the unaired television program of the same name.
While searching for just the right music to accompany a planned Peanuts television documentary, Lee Mendelson (the producer of the special) heard a single version of "Cast Your Fate to the Wind" by Vince Guaraldi's trio on the radio while traveling in a taxicab on the Golden Gate Bridge in San Francisco, California. Mendelson contacted Ralph J. Gleason, jazz columnist for the San Francisco Chronicle and was put in touch with Guaraldi. He proposed that Guaraldi score the upcoming Peanuts Christmas special and Guaraldi enthusiastically took the job, performing a version of what became "Linus and Lucy" over the phone two weeks later. The soundtrack was recorded by the Vince Guaraldi Trio, whose other members were Puzzy Firth standing in bassist for band member Fred Marshall, who was ill at the time, and drummer Jerry Granelli. Guaraldi went on to compose scores for sixteen Peanuts television specials, plus the feature film A Boy Named Charlie Brown as well as the unaired television program of the same name.
The Carpenters
The Carpenters were a vocal and instrumental duo, consisting of siblings Karen and Richard Carpenter. Though often referred to by the public as "The Carpenters", the duo's official name on authorized recordings and press materials is simply "Carpenters", without the definite article. During a period in the 1970s when louder and wilder rock was in great demand, Richard and Karen produced a distinctively soft musical style that made them one of the best-selling music artists of all time.
The Carpenters' melodic pop charted a record-breaking score of hit recordings on the American Top 40 and Adult Contemporary charts, becoming leading sellers in the soft rock, easy listening and adult contemporary genres. The Carpenters had three #1 singles on the Billboard Hot 100 and fifteen #1 hits on the Adult Contemporary Chart (see The Carpenters discography). In addition, they had twelve top 10 singles (including their #1 hits). To date, The Carpenters' album and single sales total more than 100 million units.
During their fourteen-year career, The Carpenters recorded eleven albums, five of which contained top 10 singles (Close to You, Carpenters, A Song for You, Now & Then and Horizon), thirty-one singles, five television specials, and one short-lived television series. They toured in the United States, the United Kingdom, Japan, Australia, the Netherlands and Belgium. Their recording career ended with Karen's death on February 4, 1983. Karen passed away due to a cardiac arrest due to complications of anorexia nervosa. Extensive news coverage of the circumstances surrounding her death increased public awareness of the consequences of eating disorders.
The Carpenters' melodic pop charted a record-breaking score of hit recordings on the American Top 40 and Adult Contemporary charts, becoming leading sellers in the soft rock, easy listening and adult contemporary genres. The Carpenters had three #1 singles on the Billboard Hot 100 and fifteen #1 hits on the Adult Contemporary Chart (see The Carpenters discography). In addition, they had twelve top 10 singles (including their #1 hits). To date, The Carpenters' album and single sales total more than 100 million units.
During their fourteen-year career, The Carpenters recorded eleven albums, five of which contained top 10 singles (Close to You, Carpenters, A Song for You, Now & Then and Horizon), thirty-one singles, five television specials, and one short-lived television series. They toured in the United States, the United Kingdom, Japan, Australia, the Netherlands and Belgium. Their recording career ended with Karen's death on February 4, 1983. Karen passed away due to a cardiac arrest due to complications of anorexia nervosa. Extensive news coverage of the circumstances surrounding her death increased public awareness of the consequences of eating disorders.
iyaz
Keidran Jones (born 15 April 1987), better known by his stage name Iyaz, is a British singer, songwriter, dancer and entrepreneur, signed with the record label Beluga Heights Records. He is known for his singles "Replay", "Solo" and "Pretty Girls". He released his debut album Replay in 2010.
Engelbert Humperdinck
Engelbert Humperdinck (born Arnold George Dorsey, May 2, 1936, Madras, India) is a well-known British-American popular music singer who became famous internationally during the 1960s, after adopting the name of the famous German opera composer Engelbert Humperdinck as his own stage name.
He had his first real success during July 1966, in Belgium where he and four others represented England in the annual Knokke song contest, and in October he was on stage in Mechelen. In that period, Humperdinck was already No. 1 in the Belgian charts, six months before the release of Release Me. Belgian Television then made a video clip in the harbour of Zeebrugge.
He had his first real success during July 1966, in Belgium where he and four others represented England in the annual Knokke song contest, and in October he was on stage in Mechelen. In that period, Humperdinck was already No. 1 in the Belgian charts, six months before the release of Release Me. Belgian Television then made a video clip in the harbour of Zeebrugge.
Jacob do Bandolim
Jacob do Bandolim born Jacob Pick Bittencourt (February 14, 1918 – August 13, 1969) was a Brazilian composer and musician. Born to a Brazilian-Jewish mother and a gentile father in Rio de Janeiro, his stage name means "Mandolin Jacob", after the instrument he played.A perfectionist, Jacob was able to achieve from his band Época de Ouro the highest levels of quality. Jacob hated the stereotype of the "dishevelled, drunk folk musician" and required commitment and impeccable dress from his musicians who, like himself, all held "day jobs." Jacob worked as a pharmacist, insurance salesman, street vendor, and finally notary public, to support himself while also working "full time" as a musician.
Alessandro Marcello
Alessandro Ignazio Marcello (1st February 1673 in Venice – 19 June 1747 in Venice) was an Italian nobleman, poet, philosopher, mathematician and musician.
Breath of Fire 2
Breath of Fire II is a role-playing video game developed and published by Capcom. First released in 1994, the game was licensed to Laguna for European release in 1996. It is the second entry in the Breath of Fire series. It was later ported to Game Boy Advance and re-released worldwide.
Natalia Kills
Natalia Noemi "Teddy" Sinclair, is an English singer, songwriter and actress. She has recorded music under various aliases, most famously as Natalia Kills and Verbalicious. She is currently the lead vocalist of the band Cruel Youth, which also releases music under the name The Powder Room.
Nina Simone
Nina Simone was an American singer, songwriter, pianist, arranger, and civil rights activist who worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop.
Evanescence
Evanescence is an American rock band founded in Little Rock, Arkansas in 1995 by singer/pianist Amy Lee and guitarist Ben Moody.
After recording two private EPs and a demo CD named Origin, with the help of Bigwig Enterprises in 2000, the band released their first full-length album, Fallen, on Wind-up Records in 2003. Fallen sold more than 15 million copies worldwide and helped the band win two Grammy Awards. A year later, Evanescence released their first live album, Anywhere but Home, which sold more than one million copies worldwide. In 2006, the band released their second studio album, The Open Door, which has sold more than four million copies.
The band has suffered several line-up changes, including co-founder Moody leaving in 2003, followed by guitarist John LeCompt and drummer Rocky Gray in 2007. Lee is now the only original member of Evanescence remaining in the band.
After recording two private EPs and a demo CD named Origin, with the help of Bigwig Enterprises in 2000, the band released their first full-length album, Fallen, on Wind-up Records in 2003. Fallen sold more than 15 million copies worldwide and helped the band win two Grammy Awards. A year later, Evanescence released their first live album, Anywhere but Home, which sold more than one million copies worldwide. In 2006, the band released their second studio album, The Open Door, which has sold more than four million copies.
The band has suffered several line-up changes, including co-founder Moody leaving in 2003, followed by guitarist John LeCompt and drummer Rocky Gray in 2007. Lee is now the only original member of Evanescence remaining in the band.
Mark Seymour
Mark Jeremy Seymour is an Australian musician and vocalist. He was the frontman and songwriter of rock band Hunters & Collectors from 1981 until 1998.
Felice Anerio
Felice Anerio was an Italian composer of the late Renaissance and early Baroque eras, and a member of the Roman School of composers. He was the older brother of another important, and somewhat more progressive composer of the same period, Giovanni Francesco Anerio.
Alan Silverstri
Alan Anthony Silvestri is an American composer and conductor known for his film and television scores. He is best known for his frequent collaboration with Robert Zemeckis, composing for such major hit films as the Back to the Future trilogy, Who Framed Roger Rabbit, Cast Away, and Forrest Gump
Nicolas dross
Biography. Pianist, composer, arranger, teacher. Curiosity has indeed guided the musical life of Nicolas Dross. During his piano studies.
Gershom Kingsley
Gershon Kingsley was a German-American composer, a pioneer of electronic music and the Moog synthesizer, a partner in the electronic music duo Perrey and Kingsley, founder of the First Moog Quartet, and writer of rock-inspired compositions for Jewish religious ceremonies.
Fiddler on the Roof
Fiddler on the Roof is a musical with music by Jerry Bock, lyrics by Sheldon Harnick, and book by Joseph Stein, set in csarist Russia in 1905.
Fiddler on the Roof was originally entitled Tevye. It is based on Tevye and his Daughters (or Tevye the Milkman) and other tales by Sholem Aleichem which he wrote in Yiddish and published in 1894. The story centers on Tevye, the father of five daughters, and his attempts to maintain his family and religious traditions while outside influences encroach upon their lives. He must cope with both the strong-willed actions of his three older daughters—each daughter's choice of husband moves progressively further away from established customs—and with the edict of the Tsar that evicts the Jews from their village.
The musical's title stems from a painting by Marc Chagall, one of many surreal paintings he created of Eastern European Jewish life, often including a fiddler. The Fiddler is a metaphor for survival, through tradition and joyfulness, in a life of uncertainty and imbalance.
The original Broadway production of the show, which opened in 1964, was the first musical to surpass the 3,000 performance mark, and it held the record for longest-running Broadway musical for almost 10 years until Grease surpassed its run. The production earned $1,574 for every dollar invested in it.
The show was highly acclaimed and nominated for ten Tony Awards, winning nine, including Best Musical, score, book, direction and choreography. It spawned four Broadway revivals, a successful 1971 film adaptation, and has enjoyed enduring international popularity. It is also a very popular choice for school and community productions.
Fiddler on the Roof was originally entitled Tevye. It is based on Tevye and his Daughters (or Tevye the Milkman) and other tales by Sholem Aleichem which he wrote in Yiddish and published in 1894. The story centers on Tevye, the father of five daughters, and his attempts to maintain his family and religious traditions while outside influences encroach upon their lives. He must cope with both the strong-willed actions of his three older daughters—each daughter's choice of husband moves progressively further away from established customs—and with the edict of the Tsar that evicts the Jews from their village.
The musical's title stems from a painting by Marc Chagall, one of many surreal paintings he created of Eastern European Jewish life, often including a fiddler. The Fiddler is a metaphor for survival, through tradition and joyfulness, in a life of uncertainty and imbalance.
The original Broadway production of the show, which opened in 1964, was the first musical to surpass the 3,000 performance mark, and it held the record for longest-running Broadway musical for almost 10 years until Grease surpassed its run. The production earned $1,574 for every dollar invested in it.
The show was highly acclaimed and nominated for ten Tony Awards, winning nine, including Best Musical, score, book, direction and choreography. It spawned four Broadway revivals, a successful 1971 film adaptation, and has enjoyed enduring international popularity. It is also a very popular choice for school and community productions.
Brahms
Johannes Brahms (May 7, 1833 â April 3, 1897) was a German composer of the Romantic period. He was born in Hamburg and in his later years he settled in Vienna, Austria.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Paganini
Niccolò Paganini (27 October 1782 – 27 May 1840) was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. His caprice in A minor, Op. 1 No. 24 is among his best known of compositions, and serves as inspiration for many prominent artists.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Richard Strauss
Richard Georg Strauss (German pronunciation: ; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism after Wagner, in which pioneering subtleties of orchestration are combined with an advanced harmonic style.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Steve Swallow
Steve Swallow (born October 4, 1940) is a jazz fusion bassist and composer noted for his collaborations with Jimmy Giuffre, Gary Burton, and Carla Bley. He was one of the first jazz double bassists to switch entirely to electric bass guitar.
Jason Baker
Jason Baker serves as Professor of Percussion Studies at Mississippi State University and arranger/coordinator for the MSU Drumline. He holds a Doctor of Musical Arts degree from the University of North Texas, a Master of Music degree from the New England Conservatory of Music, and a Bachelor of Music degree from the University of Connecticut. His current performance interests focus on commissioning solo percussion music by emerging composers from the American South.
The Red Jumpsuit Apparatus
The Red Jumpsuit Apparatus is a pop punk/post-hardcore band that was originally formed in 2003 in Middleburg, Florida, about 30 miles south west of Jacksonville. The current members of the band are Ronnie Winter, the lead vocalist, Joey Westwood, bassist, Duke Kitchens, guitarist, and Jon Wilkes, drummer, all of whom do back-up vocals. In 2008 Elias Reidy has left the band.
What’s in a name? Well, it depends who came up with it. In the case of Middleburg, Florida quintet The Red Jumpsuit Apparatus, it might mean anything. Jumpsuits can be sleek and fashionable, tight and revealing. Or they can be loose and homogeneous, suggesting redundancy and confinement befitting a jailbird. Red is often flashy and easily noticeable, but it’s also the color of blood. And an apparatus allows a jumpsuit to be used for a specific purpose, such as leaping from an airplane - or it could be something sexual. After all, The Red Jumpsuit Apparatus are ballsy and emotional, pulsing with vibrancy and tenacity. They’re strong, yet vulnerable, and they shift between musical styles with the confidence of superstars.
Strange then that The Red Jumpsuit Apparatus means…absolutely nothing. “It’s 100 percent completely arbitrary,” laughs singer Ronnie Winter. “When we started the band, we only cared about having a good time and writing good songs far more than coming up with some symbolic, incredibly intelligent name.”
What’s in a name? Well, it depends who came up with it. In the case of Middleburg, Florida quintet The Red Jumpsuit Apparatus, it might mean anything. Jumpsuits can be sleek and fashionable, tight and revealing. Or they can be loose and homogeneous, suggesting redundancy and confinement befitting a jailbird. Red is often flashy and easily noticeable, but it’s also the color of blood. And an apparatus allows a jumpsuit to be used for a specific purpose, such as leaping from an airplane - or it could be something sexual. After all, The Red Jumpsuit Apparatus are ballsy and emotional, pulsing with vibrancy and tenacity. They’re strong, yet vulnerable, and they shift between musical styles with the confidence of superstars.
Strange then that The Red Jumpsuit Apparatus means…absolutely nothing. “It’s 100 percent completely arbitrary,” laughs singer Ronnie Winter. “When we started the band, we only cared about having a good time and writing good songs far more than coming up with some symbolic, incredibly intelligent name.”
Joe Hisaishi
Mamoru Fujisawa (藤澤 守 Fujisawa Mamoru?), known professionally as Joe Hisaishi (久石 譲 Hisaishi Jō?, born December 6, 1950), is a composer and director known for over 100 film scores and solo albums dating back to 1981.
While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical. Lesser known are the other musical roles he plays; he is also a typesetter, author, arranger, and head of an orchestra.
He is best known for his work with animator Hayao Miyazaki, having composed scores for many of his films including Nausicaä of the Valley of the Wind (1984), My Neighbor Totoro (1988), Princess Mononoke (1997), Spirited Away (2001), Howl's Moving Castle (2004) and Ponyo (2008). He is also recognized for the soundtracks he has provided for filmmaker 'Beat' Takeshi Kitano, including Dolls (2002), Kikujiro (1999), Hana-bi (1997), Kids Return (1996), Sonatine (1993).
While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical. Lesser known are the other musical roles he plays; he is also a typesetter, author, arranger, and head of an orchestra.
He is best known for his work with animator Hayao Miyazaki, having composed scores for many of his films including Nausicaä of the Valley of the Wind (1984), My Neighbor Totoro (1988), Princess Mononoke (1997), Spirited Away (2001), Howl's Moving Castle (2004) and Ponyo (2008). He is also recognized for the soundtracks he has provided for filmmaker 'Beat' Takeshi Kitano, including Dolls (2002), Kikujiro (1999), Hana-bi (1997), Kids Return (1996), Sonatine (1993).
George Winston
George Winston (born 1949) is an American pianist who was born in Michigan, and grew up in Miles City, Montana, and Mississippi. He is a graduate of Stetson University in Deland, Florida and lives in Santa Monica, California. Many of his pieces, self-described as "Rural Folk Piano", evoke the essence of a season and reflect natural landscapes. He performs in the new age genre. He also is known for his tribute album of Vince Guaraldi's compositions for the Peanuts animations.
Bela Bartok
Béla Viktor János Bartók (pronounced /ˈbɑrtɒk/ (Wells 1990), Hungarian pronunciation: ) (March 25, 1881 – September 26, 1945) was a Hungarian composer and pianist. He is considered to be one of the greatest composers of the 20th century and is regarded, along with Liszt, as his country's greatest composer (Gillies 2001). Through his collection and analytical study of folk music, he was one of the founders of ethnomusicology.
Taeyang
Dong Young-Bae (Korean: 동영배, Hanja: 東永裴, born May 18, 1988), better known by his stage name Taeyang or SOL, is the main vocalist in Big Bang. Like the other members, Taeyang is signed with management company YG Entertainment. He began training under YG Entertainment at the age of twelve alongside fellow member and leader G-Dragon. After six years of vocal and dance training he made his debut in 2006 as part of Big Bang.
Gundam Seed Destiny
Mobile Suit Gundam SEED Destiny (機動戦士ガンダムSEED DESTINY Kidō Senshi Gandamu Shīdo Desutinī?) is the second anime television series set in the Cosmic Era universe of Gundam by Sunrise. Set two years after the original Mobile Suit Gundam SEED, Gundam SEED Destiny features many new characters and some returning ones. The series spanned 50 episodes (plus a recap episode entitled "Edited"), aired in Japan from October 9, 2004 to October 1, 2005 at 6:00 p.m. on the JNN TV stations TBS and MBS. The series won the Animage Anime Grand Prix prize in 2004 and 2005.
Zina Goldrich
Zina Goldrich (born 1964) is a musical theater composer. She is most known for her work with lyricist Marcy Heisler.
Goldrich and Heisler are currently working on the musical adaptation of Ever After, (the Drew Barrymore Cinderella movie produced by 20th Century Fox) which was scheduled to have its world premiere at the Curran Theatre in San Francisco in November 2009, but has been indefinitely postponed.
The duo has performed at Carnegie Hall, Birdland, and other venues including the Kennedy Center in Washington D.C. Goldrich and Heisler wrote the Off-Broadway show, Junie B. Jones, a musical version of the popular character created by author Barbara Park, produced by Theatreworks USA, which received a 2005 Lucille Lortel Award nomination for Outstanding Musical. An expanded version of the musical was staged in late 2005 at the Lucille Lortel theater; both the original and expanded productions received reviews in The New York Times.
"Taylor the Latte Boy", the Goldrich & Heisler song associated with Kristin Chenoweth—who sang "Taylor" on The Rosie O'Donnell Show and The Late Late Show as well as at the Metropolitan Opera House—has also been performed by other singers including Susan Egan and John Tartaglia. They also wrote the cult-hit "Alto's Lament" which is a song about a soprano who always gets stuck singing the alto parts.
Zina has played the keyboards in Broadway orchestra pits, including Avenue Q, Oklahoma!, Bombay Dreams, Grand Hotel and conducted at Titanic. With Marcy Heisler, she has written songs for the Disney characters, Winnie the Pooh, Timon and Poomba; they are also contributors to the Disney Channel's Johnny and the Sprites. She currently composes for Wonderpets on Nickelodeon.
Goldrich and Heisler are currently working on the musical adaptation of Ever After, (the Drew Barrymore Cinderella movie produced by 20th Century Fox) which was scheduled to have its world premiere at the Curran Theatre in San Francisco in November 2009, but has been indefinitely postponed.
The duo has performed at Carnegie Hall, Birdland, and other venues including the Kennedy Center in Washington D.C. Goldrich and Heisler wrote the Off-Broadway show, Junie B. Jones, a musical version of the popular character created by author Barbara Park, produced by Theatreworks USA, which received a 2005 Lucille Lortel Award nomination for Outstanding Musical. An expanded version of the musical was staged in late 2005 at the Lucille Lortel theater; both the original and expanded productions received reviews in The New York Times.
"Taylor the Latte Boy", the Goldrich & Heisler song associated with Kristin Chenoweth—who sang "Taylor" on The Rosie O'Donnell Show and The Late Late Show as well as at the Metropolitan Opera House—has also been performed by other singers including Susan Egan and John Tartaglia. They also wrote the cult-hit "Alto's Lament" which is a song about a soprano who always gets stuck singing the alto parts.
Zina has played the keyboards in Broadway orchestra pits, including Avenue Q, Oklahoma!, Bombay Dreams, Grand Hotel and conducted at Titanic. With Marcy Heisler, she has written songs for the Disney characters, Winnie the Pooh, Timon and Poomba; they are also contributors to the Disney Channel's Johnny and the Sprites. She currently composes for Wonderpets on Nickelodeon.
Viotti, Giovanni Battista
Giovanni Battista Viotti was an Italian violinist whose virtuosity was famed and whose work as a composer featured a prominent violin and an appealing lyrical tunefulness. He was also a director of French and Italian opera companies in Paris and London. He personally knew Joseph Haydn and Ludwig van Beethoven.
Jimmy Owens
Jimmy Owens is an American jazz trumpeter, composer, arranger, lecturer, and educator. He has played with Lionel Hampton, Charles Mingus, Hank Crawford, Dizzy Gillespie, Count Basie, Herbie Mann, among many others. Since 1969, he has led his own group, Jimmy Owens Plus.
Nikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov (Russian: Николай Андреевич Римский-Корсаков, IPA: (About this soundlisten); 18 March 1844 – 21 June 1908) was a Russian composer, and a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—Capriccio Espagnol, the Russian Easter Festival Overture, and the symphonic suite Scheherazade—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. Scheherazade is an example of his frequent use of fairy-tale and folk subjects.